While it's certainly as danceable as Rhythm of Love, Let's Get to It seems to try too hard.
By this point in her career, Kylie had transformed from her innocent dance-pop image to what the press dubbed "SexKylie." Obviously, this wasn't accidental on her part.
From the title to the heavy breathing effects to the kind of creepy cover pic, this is Kylie as a self-made sex kitten.
What makes this album interesting musically is that she has taken creative control of her career as well as image control.
She co-wrote much of the record, and while there are some noticeable missteps (the stadium keyboard part that lays the foundation of "I Guess I Like It Like That," for example), she shows potential.
Not her most solid release, but fans of her early work will enjoy it.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Word Is OutMatt Aitken, Mike Stock, Pete Waterman | Kylie Minogue | Play | 03:33 | 0 MB | 23 MB |
| 2 | Give Me Just a Little More TimeRonald Dunbar, Edyth Wayne | Kylie Minogue | Play | 03:06 | 0 MB | 21 MB |
| 3 | Too Much of a Good ThingKylie Minogue, Pete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 04:21 | 0 MB | 29 MB |
| 4 | Finer FeelingsPete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 03:52 | 0 MB | 25 MB |
| 5 | If You Were With Me NowKeith Washington, Kylie Minogue, Pete Waterman, Stock, Aitken & Waterman | Kylie Minogue, Keith Washington | Play | 03:10 | 0 MB | 19 MB |
| 6 | Let's Get to ItPete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 04:47 | 0 MB | 29 MB |
| 7 | Right Here, Right NowKylie Minogue, Pete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 03:50 | 0 MB | 25 MB |
| 8 | Live and LearnKylie Minogue, Pete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 03:13 | 0 MB | 22 MB |
| 9 | No World Without YouKylie Minogue, Pete Waterman, Stock, Aitken & Waterman | Kylie Minogue | Play | 02:44 | 0 MB | 14 MB |
| 10 | I Guess I Like It Like ThatKylie Minogue, Mike Stock, Pete Waterman | Kylie Minogue | Play | 06:00 | 0 MB | 39 MB |
| 0 mins | 0 MB | |||||
| 38 mins | 251 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Matt Aitken | Composer |
| 2 | Gary Barnacle | Saxophone |
| 3 | Jason Barron | Assistant Engineer |
| 4 | Peter Day | Engineer |
| 5 | Gordon Dennis | Engineer |
| 6 | Ronald Dunbar | Composer |
| 7 | Lance Ellington | Vocals |
| 8 | Dave Ford | Mixing |
| 9 | Dillon Gallagher | Assistant Engineer |
| 10 | Julian Gingell | Keyboards |
| 11 | Tee Green | Vocals |
| 12 | Phil Harding | Mixing |
| 13 | Carol Kenyon | Vocals |
| 14 | Chris McDonnell | Assistant Engineer |
| 15 | Mae McKenna | Vocals |
| 16 | Kylie Minogue | Composer, Primary Artist, Vocals |
| 17 | Dean Murphy | Assistant Engineer |
| 18 | Leroy Osbourne | Vocals |
| 19 | Paul Riser | Arranger |
| 20 | Les Sharma | Assistant Engineer |
| 21 | Stock, Aitken & Waterman | Composer |
| 22 | Mike Stock | Arranger, Composer, Keyboards, Producer, Vocals |
| 23 | Miriam Stockley | Vocals |
| 24 | Juergen Teller | Photography |
| 25 | Keith Washington | Composer, Performer, Primary Artist |
| 26 | Paul Waterman | Arranger, Assistant Engineer, Producer |
| 27 | Pete Waterman | Composer |
| 28 | Edyth Wayne | Composer |
| 29 | Mick Wilson | Vocals |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |