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A previously unreleased, recently unearthed recording that catches Tim Buckley at the time he began to incorporate jazz-influenced vocal improvisation and dense, impressionistic lyrics into his recordings.
Backed by a small combo, Live at the Troubadour 1969 features loose numbers with bloodcurdling vocal scatting and instrumental jamming.
The nine tracks on this 78-minute disc are mostly drawn from his Lorca and Blue Afternoon albums, and include two previously unavailable songs.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Strange Feelin'Tim Buckley | Tim Buckley | Play | 05:40 | 13 MB | 33 MB |
| 2 | Venice Mating CallTim Buckley | Tim Buckley | Play | 03:27 | 7 MB | 20 MB |
| 3 | I Don't Need It to RainTim Buckley | Tim Buckley | Play | 11:05 | 25 MB | 62 MB |
| 4 | I Had a Talk With My WomanTim Buckley | Tim Buckley | Play | 07:32 | 17 MB | 39 MB |
| 27 mins | 63 MB | |||||
| 27 mins | 155 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Martin Aston | Liner Notes |
| 2 | John Balkin | Bass |
| 3 | Tim Buckley | Composer, Guitar, Guitar (Acoustic), Primary Artist, Vocals |
| 4 | Evan Cohen | Project Supervisor |
| 5 | Herb Cohen | Producer, Recording Supervision |
| 6 | Carter Collins | Congas |
| 7 | Carter C.C. Collins | Congas |
| 8 | K. Lee Hammond | Art Direction, Artwork, Compilation Producer, Post Production |
| 9 | Wally Heider | Engineer |
| 10 | Bill Inglot | Compilation Producer, Mastering, Post Production |
| 11 | Ken Perry | Mastering |
| 12 | Art Tripp | Drums |
| 13 | Lee Underwood | Guitar |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |