Sale!
More than the harmonies or the scandals, what made CSN a major force was that they wrote great songs.
That's what is missing on their first full-fledged trio album since CSN in 1977.
They sing earnestly and well, and they are augmented, as ever, by the small, efficient army of players, such as Craig Doerge and Joe Vitale, who have made a career supporting them, but they just don't come up with the big songs they've led listeners to expect.
(In fact, there are quite a few songs by others.) As a result, this is the least-satisfying of CSN's studio albums.
Not surprisingly, it flopped badly in record stores.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Live It UpJoe Vitale | Crosby, Stills & Nash | Play | 03:55 | 9 MB | 0 MB |
| 2 | If Anybody Had a HeartDanny Kortchmar, J.D. Souther | Crosby, Stills & Nash | Play | 04:28 | 10 MB | 0 MB |
| 3 | TomboyStephen Stills | Crosby, Stills & Nash | Play | 03:19 | 7 MB | 0 MB |
| 4 | Haven't We Lost Enough?Kevin Cronin, Stephen Stills | Crosby, Stills & Nash | Play | 03:06 | 7 MB | 0 MB |
| 5 | Yours and MineDavid Crosby, Craig Doerge, Graham Nash | Crosby, Stills & Nash | Play | 04:44 | 10 MB | 0 MB |
| 6 | (Got to Keep) OpenGraham Nash, Stephen Stills | Crosby, Stills & Nash | Play | 04:44 | 10 MB | 0 MB |
| 7 | Straight LineTony Beard | Crosby, Stills & Nash | Play | 03:17 | 7 MB | 0 MB |
| 8 | House of Broken DreamsGraham Nash | Crosby, Stills & Nash | Play | 03:20 | 7 MB | 0 MB |
| 9 | ArrowsDavid Crosby, Michael Hedges | Crosby, Stills & Nash | Play | 03:53 | 8 MB | 0 MB |
| 10 | After the DolphinCraig Doerge, Graham Nash | Crosby, Stills & Nash | Play | 05:04 | 11 MB | 0 MB |
| 39 mins | 91 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Allen Abramson | Engineer |
| 2 | Tony Beard | Composer, Drum Programming, Guitar (Electric), Programming |
| 3 | Ray Blair | Engineer |
| 4 | Niko Bolas | Engineer |
| 5 | Michael Bosley | Assistant Engineer |
| 6 | Vince Charles | Percussion |
| 7 | Kevin Cronin | Composer |
| 8 | David Crosby | Composer, Guitar (Electric), Producer, Vocals |
| 9 | Crosby, Stills & Nash | Primary Artist |
| 10 | Daryll Dobson | Assistant Engineer |
| 11 | Craig Doerge | Composer, Keyboards |
| 12 | Bill-Dog Dooley | Editing |
| 13 | Michael Fisher | Percussion |
| 14 | Peter Frampton | Guest Artist, Guitar, Guitar (Electric), Vocals |
| 15 | Sarajo Frieden | Logo, Logotype |
| 16 | Bob Glaub | Bass |
| 17 | Larry Goodwin | Assistant Engineer |
| 18 | Scott Gordon | Engineer |
| 19 | Michael Hedges | Composer |
| 20 | Bruce Hornsby | Accordion, Guest Artist, Piano |
| 21 | Stanley Johnston | Engineer, Mixing, Producer |
| 22 | Simon Jones | Voices |
| 23 | Danny Kortchmar | Composer |
| 24 | Michael Landau | Guitar |
| 25 | Bob Ludwig | Mastering |
| 26 | Branford Marsalis | Guest Artist, Sax (Soprano) |
| 27 | Roger McGuinn | Guest Artist, Guitar |
| 28 | Jim Mitchell | Engineer |
| 29 | Graham Nash | Composer, Guitar (Acoustic), Producer, Vocals |
| 30 | Charles Paakkari | Engineer |
| 31 | David Peters | Art Direction, Artwork |
| 32 | Michito Sánchez | Percussion |
| 33 | Eric Schilling | Engineer |
| 34 | Leland Sklar | Bass |
| 35 | J.D. Souther | Composer, Guest Artist, Vocals, Vocals (Background) |
| 36 | Stephen Stills | Bass, Composer, Guitar, Guitar (Acoustic), Guitar (Electric), Keyboards, Producer, Vocals |
| 37 | Joe Vitale | Composer, Drums, Engineer, Guitar (Synthesizer), Keyboards, Organ, Percussion, Producer, Synthesizer, Synthesizer Bass, Synthesizer Strings |
| 38 | Jimmy Wachtel | Art Direction |
| 39 | Rand Wetherwax | Sound Design |
| 40 | The Williams Family | Vocals, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |