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As close as Buddy Guy's ever likely to come to recapturing the long-lost Chess sound.
Cut live at his popular Chicago nightspot, Buddy Guy's Legends, with guitarist G.E.
Smith's horn-leavened Saturday Night Live Band and pianist Johnnie Johnson in lush support, Guy revisits his roots on sumptuous readings of "I've Got My Eyes on You," "Ain't That Lovin' You," "My Time After Awhile," and "First Time I Met the Blues." No outrageous rock-based solos or Cream/Hendrix/Stevie Ray homages; this is the Buddy Guy album that purists have salivated for the last quarter century or so.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | I've Got My Eyes on YouWillie Dixon, Buddy Guy | Buddy Guy | Play | 04:12 | 9 MB | 27 MB |
| 2 | Talk to Me BabyElmore James | Buddy Guy | Play | 03:57 | 9 MB | 24 MB |
| 3 | My Time After AwhileRon Badger, Ronald Bager, Sheldon Feinberg, Robert Geddins, Buddy Guy | Buddy Guy | Play | 07:40 | 17 MB | 40 MB |
| 4 | I've Got News for YouRay Alfred, Roy Alfred | Buddy Guy | Play | 13:01 | 29 MB | 66 MB |
| 5 | Damn Right, I've Got the BluesBuddy Guy | Buddy Guy | Play | 08:01 | 18 MB | 46 MB |
| 6 | First Time I Met the BluesEurreal Montgomery | Buddy Guy | Play | 07:03 | 16 MB | 34 MB |
| 7 | Let Me Love You BabyWillie Dixon | Buddy Guy | Play | 05:38 | 12 MB | 37 MB |
| 8 | Sweet Black Angel (Black Angel Blues) | Buddy Guy | Play | 07:49 | 17 MB | 38 MB |
| 9 | Ain't That Lovin' You | Buddy Guy | Play | 02:36 | 6 MB | 14 MB |
| 60 mins | 138 MB | |||||
| 60 mins | 328 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Ray Alfred | Composer |
| 2 | Roy Alfred | Composer |
| 3 | Ron Badger | Composer |
| 4 | Ronald Bager | Composer |
| 5 | Lew Del Gatto | Horn Arrangements, Sax (Baritone) |
| 6 | Willie Dixon | Composer |
| 7 | Sheldon Feinberg | Composer |
| 8 | Nick Gamma | Art Direction, Design |
| 9 | Robert Geddins | Composer |
| 10 | Dan Glomski | Assistant Engineer |
| 11 | Bernie Grundman | Mastering |
| 12 | Buddy Guy | Composer, Guitar, Primary Artist, Producer |
| 13 | David Hewitt | Engineer |
| 14 | Brad Hitz | Photography |
| 15 | Elmore James | Composer |
| 16 | Johnnie Johnson | Piano |
| 17 | B.B. King | Composer |
| 18 | Mycle Konopka | Assistant Engineer |
| 19 | Eddie Kramer | Engineer, Mixing, Producer |
| 20 | Mike Krowiak | Mixing |
| 21 | Deadric Malone | Composer |
| 22 | Eurreal Montgomery | Composer |
| 23 | Robert Nighthawk | Composer |
| 24 | Paul Ossola | Bass (Electric) |
| 25 | Nigel Parry | Photography |
| 26 | Shawn Pelton | Drums |
| 27 | Leon Pendarvis | Organ |
| 28 | Lenny Pickett | Sax (Tenor) |
| 29 | Timothy R. Powell | Engineer |
| 30 | G.E. Smith | Director, Guest Artist, Guitar, Horn Arrangements |
| 31 | G.E. Smith & the Saturday Night Live Band | Guest Artist |
| 32 | Ron Tooley | Trumpet |
| 33 | Dennis Wilson | Trombone |
| 34 | George Young | Sax (Alto) |
| 35 | John Zonars | Production Director |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |