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Basia's tantalizing Brazilian breeze and "Basia-nova" is a sheer delight to listen to.
She keeps the same sweet infectiousness which made her debut Time and Tide a platinum stroke of genius.
This time she's infused '60s soul and some heartfelt, sparkling ballads, like "Brave New Hope." Her voice is distinctive and lilting, her lyrics interesting, and her production frisky, employing such oddities as accordion and bass sax.
Other top cuts include "Best Friends" and a rousing cover of "Until You Come Back to Me." Her disappearance from regular recordings after the mid-'90s (she made a few guest appearances on instrumental albums) was a great loss for adult contemporary music.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Cruising for BruisingBasia, Basia Trzetrzelewska, Danny White | Basia | Play | 04:10 | 9 MB | 26 MB |
| 2 | Best FriendsBasia, Danny White | Basia | Play | 04:05 | 9 MB | 28 MB |
| 3 | Brave New HopeBasia Trzetrzelewska, Danny White | Basia | Play | 04:07 | 9 MB | 25 MB |
| 4 | Baby You're MineBasia, Danny White | Basia | Play | 03:35 | 8 MB | 23 MB |
| 5 | Ordinary PeopleBasia, Danny White | Basia | Play | 04:59 | 11 MB | 31 MB |
| 6 | RewardBasia, Danny White | Basia | Play | 05:10 | 11 MB | 31 MB |
| 7 | CopernicusBasia, Danny White | Basia | Play | 03:52 | 8 MB | 26 MB |
| 8 | Not an AngelBasia, Danny White | Basia | Play | 04:24 | 10 MB | 28 MB |
| 9 | Take Him Back, RachelBasia, Danny White | Basia | Play | 04:19 | 9 MB | 29 MB |
| 10 | Until You Come Back To Me | Basia | Play | 03:54 | 8 MB | 24 MB |
| 42 mins | 97 MB | |||||
| 42 mins | 275 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Richard Barraclough | Assistant Engineer |
| 2 | Basia | Composer, Primary Artist, Vocals |
| 3 | Bud Beadle | Saxophone |
| 4 | Mark Borthwick | Photography |
| 5 | Morris Broadnax | Composer |
| 6 | Paul Cox | Photography |
| 7 | Julian Crampton | Bass |
| 8 | Marc d'Aieur | Guitar |
| 9 | Mike Dignam | Cymbals, Engineer |
| 10 | Aretha Franklin | Composer |
| 11 | Andy Gangadeen | Drums |
| 12 | Steve Gregory | Saxophone |
| 13 | Phil Harding | Mixing |
| 14 | Donal Hodgson | Assistant Engineer |
| 15 | Paul Hulme | Engineer |
| 16 | Robin Jones | Percussion |
| 17 | Tony King | Assistant, Mixing |
| 18 | Andy Lafone | Bass |
| 19 | Bruce Miller | Engineer |
| 20 | Clarence Paul | Composer |
| 21 | Kevin Robinson | Trumpet |
| 22 | Andy Ross | Guitar |
| 23 | Ronnie Ross | Sax (Baritone), Sax (Bass) |
| 24 | Les Sharma | Assistant, Mixing |
| 25 | Snowboy | Berimbau, Congas, Percussion, Shaker |
| 26 | Fiachra Trench | String Arrangements |
| 27 | Basia Trzetrzelewska | Arranger, Composer, Producer, Vocals |
| 28 | Danny White | Arranger, Composer, Drum Programming, Drums, Guest Artist, Keyboards, Producer |
| 29 | Danny "Balance" White | Arranger, Keyboards, Producer, Programming |
| 30 | Peter White | Accordion, Guitar |
| 31 | Ted White | Composer |
| 32 | Stevie Wonder | Composer |
| 33 | Gavyn Wright | Leader, Strings |
| 34 | Tim Young | Mastering |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |