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Tim Buckley's final album is a sad, burned-out affair, suffering from weak, poorly conceived material and washed-out soul-rock arrangements.
Most troublingly, Buckley's voice -- the one asset he could always count on -- had itself begun to deteriorate.
Here his vocals were distressingly thin, like torn socks that have gone through the laundry cycle one too many times.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Look at the FoolTim Buckley | Tim Buckley | Play | 05:13 | 11 MB | 34 MB |
| 2 | Bring It on UpTim Buckley | Tim Buckley | Play | 03:28 | 7 MB | 22 MB |
| 3 | HelplessTim Buckley | Tim Buckley | Play | 03:19 | 7 MB | 21 MB |
| 4 | Freeway BluesLarry Beckett, Tim Buckley | Tim Buckley | Play | 03:12 | 7 MB | 20 MB |
| 5 | Tijuana MoonLarry Beckett, Tim Buckley | Tim Buckley | Play | 02:41 | 6 MB | 17 MB |
| 6 | Ain't It PeculiarTim Buckley | Tim Buckley | Play | 03:36 | 8 MB | 23 MB |
| 7 | Who Could Deny YouTim Buckley | Tim Buckley | Play | 04:24 | 10 MB | 27 MB |
| 8 | Mexicali VoodooTim Buckley | Tim Buckley | Play | 02:25 | 5 MB | 15 MB |
| 9 | Down in the StreetTim Buckley | Tim Buckley | Play | 03:21 | 7 MB | 22 MB |
| 10 | Wanda Lu | Tim Buckley | Play | 02:40 | 6 MB | 16 MB |
| 34 mins | 79 MB | |||||
| 34 mins | 221 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Stan Agol | Engineer, Mixdown Engineer, Mixing |
| 2 | Larry Beckett | Composer |
| 3 | David Bluefield | Clavinet, Keyboards |
| 4 | Tim Buckley | Composer, Guitar, Guitar (12 String), Primary Artist, Vocals |
| 5 | Herb Cohen | Editing |
| 6 | Gary Coleman | Percussion |
| 7 | Jesse Ehrlich | Cello |
| 8 | Joe Falsia | Arranger, Bass, Guitar, Producer |
| 9 | Jim Fielder | Bass |
| 10 | Venetta Fields | Vocals, Vocals (Background) |
| 11 | Terry Harrington | Horn, Horn Section, Saxophone |
| 12 | Wally Heider | Mixing |
| 13 | Jim Hughart | Bass |
| 14 | Bill Inglot | Digital Remastering, Remixing |
| 15 | King Errisson | Congas |
| 16 | Clydie King | Vocals, Vocals (Background) |
| 17 | Sherlie Matthews | Vocals, Vocals (Background) |
| 18 | Mike Melvoin | Guest Artist, Moog Synthesizer, Organ, Piano |
| 19 | Napoleon | Cover Illustration, Illustrations |
| 20 | Richard Taylor "Dick" Nash | Horn, Horn Section |
| 21 | Earl Palmer | Drums |
| 22 | Ken Perry | Digital Remastering, Remixing |
| 23 | Bill Peterson | Horn |
| 24 | William Peterson | Horn, Horn Section |
| 25 | Chuck Rainey | Bass, Guest Artist |
| 26 | John Rotella | Horn, Horn Section |
| 27 | Cal Schenkel | Art Direction |
| 28 | Norman Seeff | Photography |
| 29 | Anthony Terran | Horn, Horn Section |
| 30 | Tony Terran | Horn |
| 31 | Mark Tiernan | Keyboards, Piano (Electric) |
| 32 | Lee Underwood | Guitar, Keyboards |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |