After his debut album, Aquashow, proved a critical success and a commercial failure, Elliott Murphy switched from Polydor to RCA for Lost Generation, on which Doors producer Paul A.

Rothchild and a group of L.A.

session musicians gave him a better sound, while his songs seemed like outtakes from the first record.

Again, Murphy was endlessly referential, name-checking everyone from Andy Warhol to Ezra Pound, mixing a contemporary New York City milieu with literary, cinematic, musical, and historical allusions in his sometimes whiney sawdust tenor while the band made like Blonde on Blonde.

It was the same set of elements that had made Aquashow such a delight, but they weren't blended quite as well this time.

Nevertheless, Murphy remained an intriguing songwriter with a nervy cultural sense, and his future seemed promising.