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A fusion of his own light reggae singing, urban-contemporary production qualities, and mid-tempo trip-hop rambling, Finley Quaye's debut album is an enjoyable effort.
Particularly impressive is the range of Quaye's voice, from a distinctive high tenor to barely audible whispering.
In fact, the only problem with Maverick a Strike is the singer's lack of emotion; even while his voice stretches out on the highlight, "I Need a Lover," it doesn't appear as though he cares much about the song.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Ultra StimulationFinley Quaye | Finley Quaye | Play | 03:52 | 8 MB | 23 MB |
| 2 | It's Great When We're TogetherFinley Quaye | Finley Quaye | Play | 03:39 | 8 MB | 22 MB |
| 3 | Sunday ShiningBob Marley, Finley Quaye | Finley Quaye | Play | 03:42 | 8 MB | 25 MB |
| 4 | Even After AllFinley Quaye | Finley Quaye | Play | 03:55 | 9 MB | 23 MB |
| 5 | Ride on and Turn the People OnFinley Quaye | Finley Quaye | Play | 03:49 | 8 MB | 25 MB |
| 6 | The Way of the ExplosiveFinley Quaye | Finley Quaye | Play | 04:44 | 10 MB | 28 MB |
| 7 | Your Love Gets SweeterFinley Quaye | Finley Quaye | Play | 03:12 | 7 MB | 17 MB |
| 8 | Supreme I PremeFinley Quaye | Finley Quaye | Play | 04:59 | 11 MB | 28 MB |
| 9 | Sweet and Loving ManFinley Quaye | Finley Quaye | Play | 03:23 | 7 MB | 21 MB |
| 10 | Red Rolled and SeenFinley Quaye | Finley Quaye | Play | 04:09 | 9 MB | 25 MB |
| 11 | FallingFinley Quaye | Finley Quaye | Play | 03:18 | 7 MB | 18 MB |
| 12 | I Need a LoverFinley Quaye | Finley Quaye | Play | 04:05 | 9 MB | 22 MB |
| 13 | Maverick a StrikeFinley Quaye | Finley Quaye | Play | 04:59 | 11 MB | 32 MB |
| 51 mins | 118 MB | |||||
| 51 mins | 315 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Kevin Bacon | Producer |
| 2 | Carlos Bess | Mixing, Producer |
| 3 | Bob Marley | Composer |
| 4 | Jonathan Quarmby | Producer |
| 5 | Finley Quaye | Arranger, Composer, Primary Artist, Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |