Released at the front end of 1999's Lilith Fair, Mirrorball is a take-home sampler of the live performances that catapulted Sarah McLachlan into the modern rock stratosphere.
Over half of the album's 14 songs are radio hits (including four of the first five), proving McLachlan's worth as a pop songstress bar none, but also hinting at an underlying stagnation in her recent musical output.
Though fans of McLachlan and folks who missed her Lilith performances will likely enjoy Mirrorball, it's a little too by-the-book to win any converts or please critical listeners.
There is little dialogue between songs, for example, and the sound quality is so pristine that if it weren't for the occasional hoot and holler from the audience, one would never know it's a live album.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Building a MysteryPierre Marchand, Sarah McLachlan | Sarah McLachlan | Play | 04:07 | 9 MB | 0 MB |
| 2 | Good EnoughSarah McLachlan | Sarah McLachlan | Play | 05:03 | 11 MB | 0 MB |
| 3 | AdiaPierre Marchand, Sarah McLachlan | Sarah McLachlan | Play | 04:05 | 9 MB | 0 MB |
| 4 | I Love YouSarah McLachlan | Sarah McLachlan | Play | 04:44 | 10 MB | 0 MB |
| 5 | The Path of Thorns (Terms)Sarah McLachlan | Sarah McLachlan | Play | 05:50 | 13 MB | 0 MB |
| 6 | FearSarah McLachlan | Sarah McLachlan | Play | 04:44 | 10 MB | 0 MB |
| 7 | Sweet SurrenderSarah McLachlan | Sarah McLachlan | Play | 04:02 | 9 MB | 0 MB |
| 8 | Ice CreamSarah McLachlan | Sarah McLachlan | Play | 02:44 | 6 MB | 0 MB |
| 9 | Fumbling Towards EcstasyPierre Marchand, Sarah McLachlan | Sarah McLachlan | Play | 09:47 | 22 MB | 0 MB |
| 10 | Hold On (Live) | Sarah McLachlan | Play | 05:18 | 12 MB | 0 MB |
| 11 | I Will Remember You (Live) | Sarah McLachlan | Play | 03:44 | 8 MB | 0 MB |
| 12 | Do What You Have To Do (Live) | Sarah McLachlan | Play | 04:11 | 9 MB | 0 MB |
| 13 | Possession (Live) | Sarah McLachlan | Play | 05:14 | 12 MB | 0 MB |
| 14 | Angel (Live) | Sarah McLachlan | Play | 05:57 | 13 MB | 0 MB |
| 69 mins | 159 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Sean Ashby | Guitar, Vocals |
| 2 | Greg Calbi | Mastering |
| 3 | Séamus Egan | Composer |
| 4 | Camille Henderson | Vocals |
| 5 | Femio Hernández | Assistant Engineer |
| 6 | Vince Jones | Keyboards, Vocals |
| 7 | Tom Lord-Alge | Mixing |
| 8 | Pierre Marchand | Composer |
| 9 | Sarah McLachlan | Composer, Primary Artist |
| 10 | Dave Merenda | Composer |
| 11 | Brian Minato | Bass |
| 12 | Tim Oberthier | Engineer |
| 13 | Al Robb | Photography |
| 14 | John Rummen | Art Direction |
| 15 | David Sinclair | Guitar, Vocals |
| 16 | Ashwin Sood | Drums, Percussion, Producer, Vocals |
| 17 | Coleen Wolstenholme | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |