It's obvious right from the title that Multikulti is another of Don Cherry's trademark fusions of jazz and world music, this time around with a heavy African influence.

Cherry is joined on several tracks by members of multi-instrumentalist Peter Apfelbaum's Hieroglyphics Ensemble (plus the full band on "Until the Rain Comes" and "Divinity-Tree"), and their shared affinity for African music is what produces most of the album's best moments.

(Listeners who prefer Cherry in a stricter jazz context are hereby warned.) The percolating, polyrhythmic grooves of "Dedication to Thomas Mapfumo," "Until the Rain Comes" (parts of it, anyway), "Divinity-Tree," and "Rhumba Multikulti" make for an infectious celebration of pan-cultural awareness that fully lives up to the promise of the album's title.

Other highlights include the spare bounce of "Birdboy" and the more traditional free bop of "Pettiford Bridge." There are a few unfortunate indulgences, however.

The brief instrumental sketches that punctuate the album actually detract from the flow and consistency, and if you've never been a fan of poetry recitations over jazz backing, the ones here won't change your mind.

A few cuts just don't quite go anywhere, and at 12 minutes, "Until the Rain Comes" -- despite some undeniably great sections -- just starts to meander after a while.

There's definitely enough good music here to make Multikulti worthwhile for fans of Cherry's world fusion explorations, but it isn't quite consistent enough to become essential.