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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Wailing WallPatrick Doyle | Patrick Doyle | Play | 01:43 | 3 MB | 0 MB |
| 2 | Jaffa to StamboulPatrick Doyle | Patrick Doyle | Play | 01:27 | 3 MB | 0 MB |
| 3 | ArrivalPatrick Doyle | Patrick Doyle | Play | 02:02 | 4 MB | 0 MB |
| 4 | The Orient ExpressPatrick Doyle | Patrick Doyle | Play | 01:28 | 3 MB | 0 MB |
| 5 | DeparturePatrick Doyle | Patrick Doyle | Play | 01:00 | 2 MB | 0 MB |
| 6 | JudgementPatrick Doyle | Patrick Doyle | Play | 02:29 | 5 MB | 0 MB |
| 7 | Touch Nothing ElsePatrick Doyle | Patrick Doyle | Play | 02:53 | 6 MB | 0 MB |
| 8 | MacQueenPatrick Doyle | Patrick Doyle | Play | 02:19 | 5 MB | 0 MB |
| 9 | Twelve Stab WoundsPatrick Doyle | Patrick Doyle | Play | 02:58 | 6 MB | 0 MB |
| 10 | The Armstrong CasePatrick Doyle | Patrick Doyle | Play | 01:21 | 3 MB | 0 MB |
| 11 | Mrs. HubbardPatrick Doyle | Patrick Doyle | Play | 01:33 | 3 MB | 0 MB |
| 12 | This Is TruePatrick Doyle | Patrick Doyle | Play | 02:51 | 6 MB | 0 MB |
| 13 | Keep Everyone InsidePatrick Doyle | Patrick Doyle | Play | 01:24 | 3 MB | 0 MB |
| 14 | ConfessionPatrick Doyle | Patrick Doyle | Play | 01:50 | 4 MB | 0 MB |
| 15 | GeographyPatrick Doyle | Patrick Doyle | Play | 01:24 | 3 MB | 0 MB |
| 16 | One Sharp KnifePatrick Doyle | Patrick Doyle | Play | 02:23 | 5 MB | 0 MB |
| 17 | Ma KatherinePatrick Doyle | Patrick Doyle | Play | 01:09 | 2 MB | 0 MB |
| 18 | True IdentityPatrick Doyle | Patrick Doyle | Play | 02:07 | 4 MB | 0 MB |
| 19 | Dr. ArbuthnotPatrick Doyle | Patrick Doyle | Play | 01:53 | 4 MB | 0 MB |
| 20 | It Is TimePatrick Doyle | Patrick Doyle | Play | 01:06 | 2 MB | 0 MB |
| 21 | JusticePatrick Doyle | Patrick Doyle | Play | 09:29 | 21 MB | 0 MB |
| 22 | PoirotPatrick Doyle | Patrick Doyle | Play | 02:39 | 6 MB | 0 MB |
| 23 | Never ForgetPatrick Doyle | Patrick Doyle, Michelle Pfeiffer | Play | 03:58 | 9 MB | 0 MB |
| 24 | Orient Express SuitePatrick Doyle | Patrick Doyle | Play | 03:19 | 7 MB | 0 MB |
| 56 mins | 130 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Ashley Andrew-Jones | Assistant Engineer |
| 2 | Dave Arch | Piano |
| 3 | Kenneth Branagh | Text |
| 4 | Tom Bullen | Mixing Assistant |
| 5 | Tom Cavanaugh | Music Business Affairs |
| 6 | Mark Cavell | Licensing |
| 7 | Fiona Cruickshank | Digital Recording |
| 8 | Danielle Diego | Executive in Charge of Music |
| 9 | Patrick Doyle | Composer, Liner Notes, Orchestration, Piano, Primary Artist, Producer |
| 10 | Alex Ferguson | Assistant Engineer |
| 11 | Daniel Gadd | Track Laying |
| 12 | Ellen Ginsburg | Music Clearance |
| 13 | Tammy Hall | Rehearsal Accompanist |
| 14 | Richard Harwood | Cello |
| 15 | Martin Higgins | MIDI |
| 16 | Emily Appleton Holley | Assistant Music Supervisor |
| 17 | Klara Korytowska | Product Development |
| 18 | Rebecca Morellato | Music Production Supervisor |
| 19 | Robin Morrison | Editing |
| 20 | Joann Orgel | Coordination |
| 21 | Michelle Pfeiffer | Primary Artist, Vocals |
| 22 | Brianne Porcaro | Management |
| 23 | Colin Rae | Music Preparation |
| 24 | Maggie Rodford | Music Supervisor |
| 25 | James Shearman | Conductor, Orchestration |
| 26 | Gabriel Shepherd | Engineer |
| 27 | Hilary Skewes | Contractor |
| 28 | Nick Taylor | Engineer, Mixing |
| 29 | Nicky Taylor | Engineer, Mixing, Piano |
| 30 | Will Temlett | Programming |
| 31 | Olly Thompson | Mixing Assistant |
| 32 | Cécile de Tournesac | Editing |
Patrick Doyle
$1.99
2005 - 24 tracks
Harry Potter And The Goblet Of Fire (Original Motion Picture Soundtrack) - Patrick Doyle, Hedwig's Theme
$6.99
-
$10.99
$3.99
$5.99
-
$8.99
$3.99
$3.99
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |