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Nasty, Cameo's first live recording, showcases Larry Blackmon's musical creativity and futuristic-sounding love songs.
Everything is on time -- the horns, the sometimes hokey vocals -- and that cool New York-flavored lead bass struts on every cut.
Guitarist Charlie Singleton's slicker-than-butter falsetto shines on the crowd favorite "Why Have I Lost You." Tomi Jenkins' tenor is steady on the moving and romantic "Sparkle." "Skin I'm In," with its staccato vocals and socially significant lyrics, makes you think.
Delight at Larry Blackmon's Sugar Foot Bonner-sounding vocal on the heavily sampled "Candy." Two studio cuts augment the live songs: "Come Fly With Me" and "Nasty." Nasty's caboose is a 6:27 mega-mix of the live sides.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Intro | Cameo | Play | 01:03 | 2 MB | 7 MB |
| 2 | FlirtLarry Blackmon, Tomi Jenkins | Cameo | Play | 01:36 | 3 MB | 11 MB |
| 3 | She's StrangeLarry Blackmon, Tomi Jenkins, Nathan Leftenant, Charlie Singleton | Cameo | Play | 02:37 | 6 MB | 18 MB |
| 4 | Skin I'm InLarry Blackmon | Cameo | Play | 05:04 | 11 MB | 33 MB |
| 5 | Why Have I Lost YouLarry Blackman, Larry Blackmon | Cameo | Play | 06:10 | 14 MB | 41 MB |
| 6 | SparkleLarry Blackmon, Anthony Lockett | Cameo | Play | 04:23 | 10 MB | 30 MB |
| 7 | CandyLarry Blackmon, Tomi Jenkins | Cameo | Play | 04:45 | 10 MB | 34 MB |
| 8 | Shake Your PantsLarry Blackmon | Cameo | Play | 04:00 | 9 MB | 28 MB |
| 9 | I Just Want to BeLarry Blackmon, Greg "Doc" Johnson | Cameo | Play | 01:38 | 3 MB | 11 MB |
| 10 | Keep It HotLarry Blackmon, Anthony Lockett | Cameo | Play | 05:11 | 11 MB | 31 MB |
| 11 | Word Up!Larry Blackmon, Tomi Jenkins | Cameo | Play | 06:44 | 15 MB | 46 MB |
| 12 | Come Fly With MeLarry Blackmon | Cameo | Play | 03:57 | 9 MB | 22 MB |
| 13 | NastyLarry Blackmon | Cameo | Play | 03:47 | 8 MB | 22 MB |
| 14 | Back & Forth | Cameo | Play | 05:54 | 13 MB | 42 MB |
| 15 | Shake Your Pants - Intro | Cameo | Play | 00:42 | 1 MB | 4 MB |
| 16 | Mega (Mix) | Cameo | Play | 06:28 | 14 MB | 47 MB |
| 64 mins | 146 MB | |||||
| 64 mins | 435 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Larry Blackman | Composer |
| 2 | Larry Blackmon | Composer, Design, Mixing, Producer, Vocals, Vocals (Background) |
| 3 | John Blackwell | Crew |
| 4 | Cameo | Composer, Primary Artist |
| 5 | Quincy Casom | Stylist |
| 6 | Jerry Freeman | Horn |
| 7 | Marti Griffin | Photography |
| 8 | Tomi Jenkins | Composer, Crew, Vocals (Background) |
| 9 | Greg "Doc" Johnson | Composer |
| 10 | Kevin Kendricks | Composer |
| 11 | Greg Lawrence | Engineer |
| 12 | Jimmie Lee | Assistant Engineer |
| 13 | Nathan Leftenant | Composer, Crew, Horn |
| 14 | Anthony Lockett | Composer |
| 15 | Daniel Lynch | Design |
| 16 | Aaron Mills | Crew, Vocals (Background) |
| 17 | Rodney Mills | Mastering |
| 18 | Greg Mitchell | Crew |
| 19 | Tomo Mori | Photography |
| 20 | Jeff Nelson | Crew |
| 21 | Richard L. Owens | Horn |
| 22 | Richard Ownes | Horn |
| 23 | Jason Rome | Assistant Engineer |
| 24 | Richard Serotta | Engineer, Mixing |
| 25 | Shy Boy | Engineer, Mastering, Mixing |
| 26 | Charlie Singleton | Composer, Crew, Vocals (Background) |
| 27 | John Smith | Assistant Engineer |
| 28 | John "BJ John" Smith | Assistant Engineer |
| 29 | Frank "Captain Disaster" Thompson | Horn |
| 30 | Franklin Thompson | Horn |
| 31 | Elai Tubo | Mixing |
| 32 | Melvin Wells | Crew, Horn |
| 33 | B.J. Wheeler | Sound Effects |
| 34 | Bernard Wright | Guest Artist, Sound Effects |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |