Sale!
Personable and traditional, Wright is the bland new face of country.
On 1999's Single White Female, she struck a feminist pose for all 21st century Dixie chicks, taking the voice of the modern everywoman on a cycle of songs detailing the little parts of working and non-working relationships.
This more conservative follow-up finds her back on the farm, still tracking the ins and outs of love, but accompanied by a shrugging indifference.
Ultimately, it orbits around the concept of love as an unquestionable force, even something to fall back on.
Single White Female was all about breaking from tradition; Never Love You Enough is about getting it all back.
Sometime at the turn of the century, Wright got the idea that being a single female is no way to spend the new millennium.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | One Night in Las VegasBrad Paisley, Chely Wright | Chely Wright | Play | 04:14 | 9 MB | 25 MB |
| 2 | While I Was WaitingGordon Bradberry, Roxie Dean | Chely Wright | Play | 03:28 | 7 MB | 21 MB |
| 3 | What If We FlyMark Selby, Tia Sillers | Chely Wright | Play | 03:54 | 8 MB | 26 MB |
| 4 | Wouldn't It Be CoolRoxie Dean, Chely Wright | Chely Wright | Play | 03:04 | 7 MB | 20 MB |
| 5 | HerLeslie Satcher | Chely Wright | Play | 03:43 | 8 MB | 22 MB |
| 6 | Love Didn't ListenStephany Delray, Wendell Mobley | Chely Wright | Play | 03:42 | 8 MB | 23 MB |
| 7 | For the Long RunPat Alger, Bat McGrath | Chely Wright | Play | 04:14 | 9 MB | 24 MB |
| 8 | HoroscopeBrad Paisley, Chely Wright | Chely Wright | Play | 04:11 | 9 MB | 27 MB |
| 9 | Not as in LoveTim Nichols, Brad Paisley, Chely Wright | Chely Wright | Play | 03:36 | 8 MB | 20 MB |
| 10 | Deep Down LowChely Wright | Chely Wright | Play | 04:42 | 10 MB | 28 MB |
| 11 | Never Love You Enough (Album Version) | Chely Wright | Play | 03:55 | 8 MB | 26 MB |
| 12 | Jezebel (Album Version) | Chely Wright | Play | 03:12 | 7 MB | 22 MB |
| 46 mins | 105 MB | |||||
| 45 mins | 289 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Pat Alger | Composer |
| 2 | Jeff Balding | Engineer, Mixing |
| 3 | Barry Bales | Vocals (Background) |
| 4 | Gordon Bradberry | Composer |
| 5 | Mike Brignardello | Bass |
| 6 | Jim Ed Brown | Keyboards, Organ (Hammond), Piano, String Arrangements, Strings |
| 7 | Shannon Brown | Vocals (Background) |
| 8 | Tony Brown | Executive Producer, Producer |
| 9 | Pat Buchanan | Guitar (Electric) |
| 10 | Buddy Cannon | Producer |
| 11 | Melonie Cannon | Vocals (Background) |
| 12 | Lisa Cochran | Vocals (Background) |
| 13 | Cherié Combs | Hair Stylist, Make-Up |
| 14 | Eric Conn | Digital Editing |
| 15 | Paige Conners | Production Coordination |
| 16 | J.T. Corenflos | Guitar (Electric) |
| 17 | Chad Cromwell | Drums |
| 18 | Eric Darken | Percussion |
| 19 | Chip Davis | Vocals (Background) |
| 20 | Roxie Dean | Composer |
| 21 | Stephany Delray | Composer |
| 22 | Jay DeMarcus | Composer |
| 23 | Dan Dugmore | Guitar (12 String Electric), Pedal Steel |
| 24 | Stuart Duncan | Fiddle, Mandolin |
| 25 | Larry Franklin | Fiddle |
| 26 | Paul Franklin | Pedal Steel |
| 27 | Steve Gibson | Guitar (Acoustic), Guitar (Electric) |
| 28 | Kevin Grantt | Bass |
| 29 | Mike "Frog" Griffith | Production Coordination |
| 30 | Jed Hackett | Assistant |
| 31 | Mark Hagen | Assistant, Engineer |
| 32 | Richard Hanson | Mixing Assistant |
| 33 | Erik Hellerman | Assistant Engineer, Digital Editing, Engineer |
| 34 | Wes Hightower | Vocals (Background) |
| 35 | John Hobbs | Keyboards, Organ (Hammond), Piano |
| 36 | Dann Huff | Drum Programming, Guitar (Electric), Producer |
| 37 | Marcus Hummon | Composer, Guitar (Acoustic), Vocals (Background) |
| 38 | Garnet Imes | Vocals (Background) |
| 39 | Brett James | Composer |
| 40 | John Jarvis | Keyboards, Piano |
| 41 | Troy Johnson | Vocals (Background) |
| 42 | Mark Anthony Jones | Management |
| 43 | John Jorgenson | Guitar (Acoustic), Guitar (Electric), Mandocello |
| 44 | Jerry Joyner | Design |
| 45 | Brent King | Engineer |
| 46 | Paul Leim | Drums |
| 47 | B. James Lowry | Guitar (Acoustic) |
| 48 | Liana Manis | Vocals (Background) |
| 49 | Kris Marcy | Vocals (Background) |
| 50 | Bat McGrath | Composer |
| 51 | Chris McHugh | Drums |
| 52 | Jerry McPherson | Guitar (Electric) |
| 53 | Wendell Mobley | Composer, Vocals (Background) |
| 54 | The Nashville String Machine | Strings |
| 55 | Steve Nathan | Keyboards, Organ (Hammond) |
| 56 | Tim Nichols | Composer |
| 57 | Justin Niebank | Mixing |
| 58 | Brad Paisley | Composer, Guitar (Acoustic), Guitar (Electric), Guitar (Resonator), Producer, Vocals |
| 59 | Mike Poole | Engineer |
| 60 | Denny Purcell | Mastering |
| 61 | Michael Rhodes | Bass |
| 62 | Matt Rollings | Guest Artist, Keyboards |
| 63 | Chris Rowe | Digital Editing |
| 64 | Albert Sanchez | Photography |
| 65 | Leslie Satcher | Composer |
| 66 | Clarke Schleicher | Engineer |
| 67 | Darrell Scott | Banjo, Guitar (Acoustic), Mandolin, Vocals (Background) |
| 68 | Mark Selby | Composer |
| 69 | Aaron Shannon | Assistant |
| 70 | Tia Sillers | Composer |
| 71 | Charles F. Spalding | Management |
| 72 | Kevin Szymanski | Mixing Assistant |
| 73 | Dan Tyminski | Vocals (Background) |
| 74 | Phil Vassar | Vocals (Background) |
| 75 | Bergen White | String Arrangements, String Conductor |
| 76 | Brian David Willis | Digital Editing, Overdub Engineer |
| 77 | John Willis | Guitar (Acoustic) |
| 78 | Stephanie Woolf | Stylist |
| 79 | Glenn Worf | Bass |
| 80 | Paul Worley | Guitar (Electric), Producer |
| 81 | Chely Wright | Composer, Primary Artist, Producer, Vocals (Background) |
| 82 | Trisha Yearwood | Guest Artist, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |