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Cutting back on the guest musicians of her previous effort and paring down to a basic small group of musicians helps add immediacy to Night Ride Home.
While this release features several of Joni Mitchell's favorites, nothing here would become a hit, as Joni tended to buck trends and follow her own beat.
Very involved and a rather tough listen, but well worth the attention, this would be her last for Geffen, where she languished unnoticed while the label went heavy metal crazy.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Night Ride HomeJoni Mitchell | Joni Mitchell | Play | 03:21 | 7 MB | 17 MB |
| 2 | Passion Play (When All the Slaves Are Free)Joni Mitchell | Joni Mitchell | Play | 05:25 | 12 MB | 25 MB |
| 3 | Cherokee LouiseJoni Mitchell | Joni Mitchell | Play | 04:32 | 10 MB | 23 MB |
| 4 | The Windfall (Everything for Nothing)Joni Mitchell | Joni Mitchell | Play | 05:16 | 12 MB | 31 MB |
| 5 | Come in from the ColdJoni Mitchell | Joni Mitchell | Play | 07:31 | 17 MB | 45 MB |
| 6 | Nothing Can Be DoneLarry Klein, Joni Mitchell | Joni Mitchell | Play | 04:54 | 11 MB | 31 MB |
| 7 | The Only Joy in TownJoni Mitchell | Joni Mitchell | Play | 05:12 | 11 MB | 27 MB |
| 8 | Ray's Dad's CadillacJoni Mitchell | Joni Mitchell | Play | 04:33 | 10 MB | 25 MB |
| 9 | Two Grey RoomsJoni Mitchell | Joni Mitchell | Play | 03:59 | 9 MB | 20 MB |
| 10 | Slouching Towards Bethlehem _ Based On A Poem By W.B. Yeats | Joni Mitchell | Play | 06:55 | 15 MB | 38 MB |
| 51 mins | 118 MB | |||||
| 51 mins | 288 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Alex Acuña | Percussion |
| 2 | David Baerwald | Guest Artist, Vocals |
| 3 | Glen Christensen | Art Direction |
| 4 | Steve Churchyard | Engineer |
| 5 | Vinnie Colaiuta | Drums, Drums (Snare), Guest Artist |
| 6 | Kristen Connelly | Assistant Engineer |
| 7 | Richard Cottrell | Engineer |
| 8 | Bill Dillon | Guitar, Pedal Steel |
| 9 | Paula Garcia | Assistant Engineer, Production Assistant |
| 10 | Jim Hill | Assistant Engineer |
| 11 | Larry Klein | Bass, Composer, Guitar, Guitar (Electric), Keyboards, Percussion, Producer |
| 12 | Michael Landau | Guitar |
| 13 | Julie Last | Assistant Engineer, Engineer, Mixing |
| 14 | Henry Lewy | Engineer |
| 15 | Jeremy Lubbock | Arranger, Brass Arrangement, Conductor, String Arrangements |
| 16 | Bob Ludwig | Mastering |
| 17 | Dan Marnien | Engineer, Mixing |
| 18 | Joni Mitchell | Art Direction, Billatron, Composer, Guitar, Guitar (Acoustic), Guitar (Rhythm), Keyboards, Oboe, Omnichord, Percussion, Photography, Piano, Primary Artist, Producer, Vocals |
| 19 | Karen Peris | Vocals (Background) |
| 20 | Tony Phillips | Engineer |
| 21 | Brenda Russell | Guest Artist, Vocals |
| 22 | Mike Shipley | Mixing |
| 23 | Wayne Shorter | Guest Artist, Sax (Soprano) |
| 24 | Bob Vogt | Assistant Engineer |
| 25 | William Butler Yeats | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |