This was Chicken Shack's most popular album, making the British Top Ten.

If you're looking for relics of the British Blues Boom, however, you'd be much better off with Ten Years After, to say nothing of legitimate artists such as Fleetwood Mac and John Mayall.

British blues at its best could be exciting (if usually derivative), but it's difficult to fathom how this relentlessly plodding, monotonous effort met with such success.

Stan Webb took most of the songwriting and vocal chores, emulating the slow-burning Chicago boogie with little skill or subtlety (though he wasn't a bad guitarist).

Christine Perfect did write and sing a few songs, but these unfortunately found both her compositional and vocal chops at a most callow stage of development.

To nail the coffin, most of the songs were preceded by excruciating comic dialog that made Cheech & Chong sound sophisticated in comparison.