Sale!
Following the bungled American release of Twice Removed, it seemed unlikely that Sloan would survive, let alone record an album as wonderful as One Chord to Another.
On the group's previous album, Sloan had refashioned itself as a power pop band, often with terrific results, but on One Chord to Another the songwriting blossoms.
Filled with catchy, jangling riffs and memorable melodies, the record is a tour de force of hooks and harmonies, filled with exceptionally strong songs and forceful performances, which give the record a firm, rocking foundation.
Few power pop records of the '90s are as infectious and memorable as One Chord to Another.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Good in EveryoneJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 02:17 | 5 MB | 15 MB |
| 2 | Nothing Left to Make Me Want to StayJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 02:35 | 5 MB | 15 MB |
| 3 | AutobiographyJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:18 | 7 MB | 20 MB |
| 4 | Junior PanthersJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 02:38 | 6 MB | 13 MB |
| 5 | G Turns to DJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:24 | 7 MB | 21 MB |
| 6 | A Side WinsJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:11 | 7 MB | 19 MB |
| 7 | Everything You've Done WrongJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:29 | 7 MB | 22 MB |
| 8 | Anyone Who's AnyoneJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 02:48 | 6 MB | 17 MB |
| 9 | The Lines You AmendJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 02:32 | 5 MB | 16 MB |
| 10 | Take the BenchJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:50 | 8 MB | 24 MB |
| 11 | Can't Face UpJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 03:53 | 8 MB | 21 MB |
| 12 | 400 MetresJay Ferguson, Chris Murphy, Patrick Pentland, Andrew Scott, Sloan | Sloan | Play | 04:31 | 10 MB | 29 MB |
| 38 mins | 88 MB | |||||
| 38 mins | 237 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Mike Cowie | Trumpet |
| 2 | Laurence Currie | Engineer, Mixing, Producer |
| 3 | Jay Ferguson | Composer, Group Member |
| 4 | George Marino | Mastering |
| 5 | Brenndan McGuire | Bass, Engineer, Mixing |
| 6 | Peter J. Moore | Mastering |
| 7 | Chris Murphy | Composer, Group Member |
| 8 | Patrick Pentland | Composer, Group Member |
| 9 | Chico T. Sanchez | Liner Notes |
| 10 | Andrew Scott | Composer, Group Member |
| 11 | Sloan | Composer, Engineer, Mixing, Primary Artist, Producer |
| 12 | Catherine Stockhausen | Photography |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |