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This is Jones' most musically mature and toned-down album.
The synthesizers are less overbearing than on the previous albums, yet the songs are mediocre.
One to One reached number ten in the U.K., but did not fare as well in the U.S., peaking at number 56.
This album features the revamped "No One Is to Blame," which is inferior to the original version.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Balance of Love (Give and Take)Howard Jones | Howard Jones | Play | 04:29 | 10 MB | 26 MB |
| 2 | All I WantHoward Jones | Howard Jones | Play | 04:36 | 10 MB | 28 MB |
| 3 | Don't Want to Fight AnymoreHoward Jones | Howard Jones | Play | 04:35 | 10 MB | 28 MB |
| 4 | Step into These ShoesHoward Jones | Howard Jones | Play | 04:19 | 9 MB | 26 MB |
| 5 | Good Luck, Bad LuckHoward Jones | Howard Jones | Play | 04:12 | 9 MB | 26 MB |
| 6 | Give Me StrengthHoward Jones | Howard Jones | Play | 05:00 | 11 MB | 29 MB |
| 7 | Little Bit of SnowHoward Jones | Howard Jones | Play | 04:27 | 10 MB | 19 MB |
| 8 | No One Is to BlameHoward Jones | Howard Jones | Play | 04:13 | 9 MB | 22 MB |
| 9 | You Know I Love You...Don't You | Howard Jones | Play | 04:05 | 9 MB | 25 MB |
| 10 | Where Are We Going | Howard Jones | Play | 05:00 | 11 MB | 27 MB |
| 11 | Will You Still Be There | Howard Jones | Play | 04:43 | 10 MB | 26 MB |
| 49 mins | 113 MB | |||||
| 49 mins | 288 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Afrodiziak | Vocals (Background) |
| 2 | Gary Burton | Vibraphone |
| 3 | Dámaris Carbaugh | Vocals (Background) |
| 4 | Phil Collins | Drums, Producer, Vocals (Background) |
| 5 | Kenny Crane | Trumpet |
| 6 | John Dexter | Choir Master |
| 7 | Doris Eugenio | Vocals (Background) |
| 8 | Steve Ferrone | Drums |
| 9 | Claudia Fontaine | Vocals (Background) |
| 10 | Mo Foster | Guitar (Bass) |
| 11 | Simon Fowler | Photography |
| 12 | Eddie Garcia | Assistant Engineer |
| 13 | Chris Garnham | Photography |
| 14 | Bob Gay | Brass, Sax (Alto), Trumpet |
| 15 | Scott Gilman | Saxophone |
| 16 | Paul Gomershal | Assistant Engineer |
| 17 | John Grimes | Assistant Engineer |
| 18 | Howard Jones | Composer, Drums, Keyboards, Percussion, Primary Artist, Programming, Synthesizer, Vocals |
| 19 | Marti Jones | Guitar (Bass) |
| 20 | Martin Jones | Guitar (Bass) |
| 21 | Kevin Killen | Engineer |
| 22 | Matt Malloy | Flute, Penny Whistle |
| 23 | Arif Mardin | Producer, String Arrangements, Strings |
| 24 | Cindy Mizelle | Vocals (Background) |
| 25 | Trevor Morais | Drums |
| 26 | Nick Moroch | Guitar |
| 27 | Mike Murphy | Vocals (Background) |
| 28 | Gene Orloff | Choir Master, Concert Master |
| 29 | Hugh Padgham | Assistant Engineer, Producer |
| 30 | Phil Palmer | Guitar |
| 31 | Mike Roarty | Fairlight |
| 32 | Nile Rodgers | Guitar |
| 33 | Mark Stevens | Vocals (Background) |
| 34 | Fonzi Thornton | Vocals (Background) |
| 35 | Caron Wheeler | Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |