If you're going to pillage someone else's ideas, then go for broke.
Because even if you find yourself crammed between the barriers of creative space, utterly at a loss for ideas, expression, or thought, you'd still have a self-respect buzzing in your ear like a mad angelic insect, putting down the newspaper and taking out a cigar to remind you that, hell, if want to sound like Radiohead when even Thom Yorke doesn't want to sound like Radiohead, you might as well take it to preposterous, bombastic, over-the-top levels.
Add church organs, mental electronics, riffs bouncing off each other like the monolithic screams in 2001: A Space Odyssey, and you'll finally be in position to crack skulls like coconuts and make the world's speakers ooze gooey blood.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | New BornMatthew Bellamy | Muse | Play | 06:03 | 13 MB | 39 MB |
| 2 | BlissMatthew Bellamy | Muse | Play | 04:12 | 9 MB | 26 MB |
| 3 | Space DementiaMatthew Bellamy | Muse | Play | 06:20 | 14 MB | 41 MB |
| 4 | Hyper MusicMatthew Bellamy | Muse | Play | 03:20 | 7 MB | 24 MB |
| 5 | Plug in BabyMatthew Bellamy | Muse | Play | 03:40 | 8 MB | 26 MB |
| 6 | Citizen ErasedMatthew Bellamy | Muse | Play | 07:19 | 16 MB | 46 MB |
| 7 | Micro CutsMatthew Bellamy | Muse | Play | 03:38 | 8 MB | 24 MB |
| 8 | ScreenagerMatthew Bellamy | Muse | Play | 04:20 | 9 MB | 25 MB |
| 9 | Dark ShinesMatthew Bellamy | Muse | Play | 04:47 | 10 MB | 30 MB |
| 10 | Feeling GoodLeslie Bricusse, Anthony Newley | Muse | Play | 03:19 | 7 MB | 20 MB |
| 11 | MegalomaniaMatthew Bellamy | Muse | Play | 04:38 | 10 MB | 25 MB |
| 51 mins | 118 MB | |||||
| 51 mins | 332 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Matthew Bellamy | Composer, Guitar, Keyboards, Member of Attributed Artist, String Arrangements, Vocals |
| 2 | Tim Berry | Artwork |
| 3 | David Bottrill | Audio Production, Engineer, Producer |
| 4 | Leslie Bricusse | Composer |
| 5 | Chris Brown | Programming |
| 6 | Chris Brown | Engineer, Programming |
| 7 | Steve Cooper | Engineer |
| 8 | John Cornfield | Mixing |
| 9 | William Eagar | Cover Image |
| 10 | Clare Finnimore | Viola |
| 11 | David Foldvari | Artwork |
| 12 | Sally Herbert | Violin |
| 13 | Dominic Howard | Drums, Member of Attributed Artist, Percussion |
| 14 | Damon Iddins | Assistant Engineer |
| 15 | Safta Jaffery | Executive Producer |
| 16 | Caroline LaVelle | Cello |
| 17 | John Leckie | Audio Production, Engineer, Producer |
| 18 | Claire Lewis | Assistant Engineer |
| 19 | Muse | Audio Production, Mixing, Primary Artist, Producer |
| 20 | Anthony Newley | Composer |
| 21 | Jacqueline Norrie | Violin |
| 22 | Ric Peet | Engineer |
| 23 | Dennis Smith | Executive Producer |
| 24 | Ray Staff | Mastering |
| 25 | Mark Thomas | Assistant Engineer |
| 26 | Chris Wolstenholme | Bass, Guitar (Bass), Member of Attributed Artist, Vibraphone, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |