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Phantom Thread is an unusually controlled and precise film from Paul Thomas Anderson, and it finds its perfect counterpoint in Jonny Greenwood's score.
Within the film, Greenwood's work seems sumptuous and lush, reflecting the gorgeousness of Reynolds Woodcock's clothes, but listening to the score in isolation as an album reveals moments of tension and dissonance that do not command attention during the film but certainly affect its perception for the audience.
That's the brilliance of Greenwood's music for Phantom Thread: it is rich and gorgeous, elegant because of its exacting nature, an aesthetic that suits the film to a T.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Phantom Thread IJonny Greenwood | Jonny Greenwood | Play | 03:35 | 8 MB | 0 MB |
| 2 | The HemJonny Greenwood | Jonny Greenwood | Play | 02:43 | 6 MB | 0 MB |
| 3 | Sandalwood IJonny Greenwood | Jonny Greenwood | Play | 02:39 | 6 MB | 0 MB |
| 4 | AlmaJonny Greenwood | Jonny Greenwood | Play | 04:07 | 9 MB | 0 MB |
| 5 | Boletus FelleusJonny Greenwood | Jonny Greenwood | Play | 03:12 | 7 MB | 0 MB |
| 6 | Phantom Thread IIJonny Greenwood | Jonny Greenwood | Play | 03:54 | 8 MB | 0 MB |
| 7 | Catch HoldJonny Greenwood | Jonny Greenwood | Play | 02:14 | 5 MB | 0 MB |
| 8 | Never CursedJonny Greenwood | Jonny Greenwood | Play | 03:45 | 8 MB | 0 MB |
| 9 | That's as May BeJonny Greenwood | Jonny Greenwood | Play | 01:26 | 3 MB | 0 MB |
| 10 | Phantom Thread IIIJonny Greenwood | Jonny Greenwood | Play | 02:20 | 5 MB | 0 MB |
| 11 | I'll Follow TomorrowJonny Greenwood | Jonny Greenwood | Play | 01:20 | 3 MB | 0 MB |
| 12 | House of WoodcockJonny Greenwood | Jonny Greenwood | Play | 03:53 | 8 MB | 0 MB |
| 13 | Sandalwood IIJonny Greenwood | Jonny Greenwood | Play | 03:42 | 8 MB | 0 MB |
| 14 | Barbara RoseJonny Greenwood | Jonny Greenwood | Play | 04:39 | 10 MB | 0 MB |
| 15 | Endless SuperstitionJonny Greenwood | Jonny Greenwood | Play | 03:04 | 7 MB | 0 MB |
| 16 | For the Hungry BoyJonny Greenwood | Jonny Greenwood | Play | 03:41 | 8 MB | 0 MB |
| 17 | The Tailor of Fitzrovia | Jonny Greenwood | Play | 02:30 | 5 MB | 0 MB |
| 18 | Phantom Thread IV (feat. Daniel Pioro) | Jonny Greenwood, Daniel Pioro | Play | 02:57 | 6 MB | 0 MB |
| 55 mins | 127 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Robert Ames | Conductor |
| 2 | Ashley Andrew-Jones | Assistant |
| 3 | John Barrett | Mixing |
| 4 | Charlotte Bonneton | Viola |
| 5 | Rob Brinkmann | Assistant |
| 6 | Hugh Brunt | Orchestration |
| 7 | Oliver Coates | Cello |
| 8 | Fiona Cruikshank | Engineer |
| 9 | Jonny Greenwood | Composer, Orchestration, Piano, Primary Artist |
| 10 | Laura Hynd | Photography |
| 11 | Shin Katan | Artwork |
| 12 | London Contemporary Orchestra | Orchestra |
| 13 | Jonathan Morton | Violin |
| 14 | Daniel Pioro | Primary Artist, Violin |
| 15 | Royal Philharmonic Orchestra | Orchestra |
| 16 | Dustin Stanton | Design |
| 17 | Graeme Stewart | Engineer, Mixing, Producer |
| 18 | Katherine Tinker | Celeste, Piano |
| 19 | Eleanor Turner | Harp |
| 20 | Nick Wollage | Engineer |
| 21 | Christian Wright | Mastering |
| 22 | Robert Ziegler | Conductor, Orchestration |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |