In 1980, after his critically acclaimed Love Broke Thru, Keaggy moved to Sparrow Records to release this neat little album.
Separated by album side as "This Side" and "That Side" (rather than side one and side two), this record has all the electric rock songs on one side and all the acoustic songs on the other.
The album jacket reflects the same, with a smiling Keaggy sitting in front of his Les Paul on one side and a more serious Keaggy sitting in front of an acoustic guitar on the other.
The songs are good, and those looking specifically for Keaggy's amazing guitar work will not be disappointed.
The electric side features four songs, most notably "A Royal Commandment" -- with killer guitars and extended instrumental passages -- and "Pulling Down," co-written with Doug Pinnick, later to join King's X.
There is great work on the acoustic side as well.
Of particular note is the controversial pro-life banner, "Little Ones.".
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Just a Moment AwayPhil Keaggy, Doug Pinnick | Phil Keaggy | Play | 04:05 | 9 MB | 27 MB |
| 2 | Sunday SchoolPhil Keaggy | Phil Keaggy | Play | 04:34 | 10 MB | 29 MB |
| 3 | Pulling DownPhil Keaggy, Greg X. Volz | Phil Keaggy | Play | 05:26 | 12 MB | 35 MB |
| 4 | A Royal Commandment | Phil Keaggy | Play | 05:51 | 13 MB | 36 MB |
| 5 | Happy | Phil Keaggy | Play | 02:48 | 6 MB | 18 MB |
| 6 | Carefree | Phil Keaggy | Play | 04:41 | 10 MB | 30 MB |
| 7 | Nobody’s Playgirl Now | Phil Keaggy | Play | 03:40 | 8 MB | 22 MB |
| 8 | Cherish The Moment | Phil Keaggy | Play | 04:59 | 11 MB | 31 MB |
| 9 | She Came To Stay | Phil Keaggy | Play | 03:35 | 8 MB | 21 MB |
| 10 | Papa Song | Phil Keaggy | Play | 03:19 | 7 MB | 18 MB |
| 11 | The Wall | Phil Keaggy | Play | 02:45 | 6 MB | 17 MB |
| 12 | Make A Change | Phil Keaggy | Play | 03:31 | 8 MB | 21 MB |
| 13 | Train To Glory | Phil Keaggy | Play | 03:09 | 7 MB | 20 MB |
| 14 | Play Thru Me | Phil Keaggy | Play | 04:26 | 10 MB | 26 MB |
| 15 | His Master’s Voice | Phil Keaggy | Play | 03:09 | 7 MB | 16 MB |
| 16 | Morning Light | Phil Keaggy | Play | 03:32 | 8 MB | 23 MB |
| 63 mins | 145 MB | |||||
| 63 mins | 397 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Alex Acuña | Percussion |
| 2 | Dan Collins | Producer, Vocals (Background) |
| 3 | Leon Gaer | Bass (Electric), Guitar (Bass), Guitar (Electric), Guitar (Synthesizer) |
| 4 | Phil Keaggy | Composer, Guitar, Guitar (Electric), Primary Artist, Producer, Vocals |
| 5 | Paul Leim | Drums |
| 6 | Jamie Owens-Collins | Vocals (Background) |
| 7 | Doug Pinnick | Composer |
| 8 | Jack Joseph Puig | Engineer |
| 9 | Richard Souther | Piano, Synthesizer |
| 10 | Greg X. Volz | Composer, Vocals (Background) |
| 11 | Matthew Ward | Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |