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Just after Miami-based metal quartet Black Tide released their debut in 2008, guitarist Alex Nuñez departed, to be replaced by Austin Diaz.
Along with the lineup shift, the band moved in a more distilled, commercial direction for its sophomore album.
Produced by Josh Wilbur and GGGarth, 2011's Post-Mortem doesn’t have the ties to hair metal or the New Wave of British Heavy Metal that Light from Above did.
Instead, it finds the group lumped in with contemporary groups like Avenged Sevenfold, Between the Buried and Me, and Bullet for My Valentine.
But even if it is not as original or wildly thrashin’ as the first album, Post-Mortem is still a decent follow-up, especially considering that Black Tide are still only in their teens.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Ashes | Black Tide | Play | 04:10 | 9 MB | 31 MB |
| 2 | Bury Me | Black Tide | Play | 03:53 | 8 MB | 29 MB |
| 3 | Let It Out | Black Tide | Play | 05:06 | 11 MB | 36 MB |
| 4 | Honest Eyes | Black Tide | Play | 03:55 | 9 MB | 28 MB |
| 5 | That Fire | Black Tide | Play | 03:30 | 8 MB | 26 MB |
| 6 | Fight Til the Bitter End | Black Tide | Play | 03:44 | 8 MB | 27 MB |
| 7 | Take It Easy | Black Tide | Play | 04:35 | 10 MB | 33 MB |
| 8 | Lost in the Sound | Black Tide | Play | 04:59 | 11 MB | 36 MB |
| 9 | Walking Dead Man | Black Tide | Play | 04:16 | 9 MB | 31 MB |
| 10 | Into the Sky | Black Tide | Play | 04:52 | 11 MB | 31 MB |
| 43 mins | 98 MB | |||||
| 43 mins | 313 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Keith Armstrong | Mixing Assistant |
| 2 | Miles Arnay | Marketing Coordinator |
| 3 | Black Tide | Primary Artist |
| 4 | Justin Borucki | Photography |
| 5 | P.R. Brown | Design |
| 6 | Matthew Desrameaux | Assistant Engineer |
| 7 | Austin Diaz | Guitar |
| 8 | Gabriel Garcia | Guitar, Vocals |
| 9 | Brian Gardner | Mastering |
| 10 | GGGarth | Producer |
| 11 | Ryan Gillis | Logo Design |
| 12 | Jim Jonsin | Producer |
| 13 | Ben Kaplan | Digital Editing, Engineer |
| 14 | Nik Karpen | Mixing Assistant |
| 15 | Dyana Kass | Marketing |
| 16 | Chris Lord-Alge | Mixing |
| 17 | Justine Massa | Creative Coordinator |
| 18 | Jackie Petri | A&R |
| 19 | Nick Rowe | Digital Editing, Guitar Technician |
| 20 | Zakk Sandler | Bass |
| 21 | Dave Schiffman | Producer |
| 22 | Andrew Schubert | Mixing |
| 23 | Les Scurry | Production Coordination |
| 24 | Jeff Sosnow | A&R |
| 25 | Steven Spence | Drums |
| 26 | Paul Suarez | Assistant Engineer, Digital Editing, Engineer |
| 27 | Brad Townsend | Mixing |
| 28 | Matthew Tuck | Featured Artist |
| 29 | Chris Uminga | Cover Illustration |
| 30 | Josh Wilbur | Engineer, Mixing, Producer |
Matt Tuck
$3.99
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$5.99
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |