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Before Gate was able to rebuild a following stateside, he frequently toured Europe.
He recorded the contents of this inexorably swinging set in France in 1973 with all-star backing by keyboardists Milt Buckner and Jay McShann, saxists Arnett Cobb and Hal Singer, among others.
Brown indulges his passion for Louis Jordan by ripping through "Ain't That Just like a Woman" and "Ain't Nobody Here but Us Chickens" and exhibits his immaculate fretwork on the torrid title item.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | She Winked Her EyeClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 05:17 | 12 MB | 30 MB |
| 2 | Slow DownClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 03:59 | 9 MB | 21 MB |
| 3 | My Time Is ExpensiveClarence "Gatemouth" Brown, Don Robey | Clarence "Gatemouth" Brown | Play | 04:30 | 10 MB | 21 MB |
| 4 | Ain't Nobody Here But Us ChickensAlex Kramer, Joan Whitney | Clarence "Gatemouth" Brown | Play | 04:29 | 10 MB | 25 MB |
| 5 | Pressure CookerClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 02:54 | 6 MB | 15 MB |
| 6 | Ain't That Just Like a WomanClaude Demetrius, Fleecie Moore | Clarence "Gatemouth" Brown | Play | 05:28 | 12 MB | 32 MB |
| 7 | Deep, Deep WaterClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 06:44 | 15 MB | 28 MB |
| 8 | Cold StringsClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 04:55 | 11 MB | 27 MB |
| 9 | Just Lippin' | Clarence 'Gatemouth' Brown | Play | 03:10 | 7 MB | 18 MB |
| 41 mins | 95 MB | |||||
| 41 mins | 221 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Michel Attenoux | Sax (Alto) |
| 2 | Clarence "Gatemouth" Brown | Composer, Guitar (Electric), Primary Artist, Vocals |
| 3 | Milt Buckner | Organ |
| 4 | Xavier Chambon | Trumpet |
| 5 | Arnett Cobb | Sax (Tenor) |
| 6 | Chris Columbo | Drums |
| 7 | Tom Coyne | Mastering |
| 8 | Claude Demetrius | Composer |
| 9 | Disques Black and Blue | Producer |
| 10 | Claude Gousset | Trombone |
| 11 | Al Grey | Trombone |
| 12 | Paul Gunther | Drums |
| 13 | Stan Hunter | Organ |
| 14 | Bruce Iglauer | Release Coordinator |
| 15 | Alex Kramer | Composer |
| 16 | Roland Lobligeois | Bass |
| 17 | Bob McCamant | Cover Design |
| 18 | Jay McShann | Piano |
| 19 | Fleecie Moore | Composer |
| 20 | Paul Natkin | Photography |
| 21 | Don Robey | Composer |
| 22 | Dominque Samarcq | Engineer |
| 23 | Dick Shurman | Release Assistant |
| 24 | Michael Silva | Drums |
| 25 | Hal Singer | Sax (Tenor) |
| 26 | Joan Whitney | Composer |
Clarence 'Gatemouth' Brown
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| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |