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Since the Psychonavigation series seems to be reserved for Namlook and Bill Laswell's more deep-space-oriented collaborations (and often with a somewhat gloomy tone), it's not surprising that this third in the series is a shadowy, somewhat Geiger-esque affair.
While a funk-fueled breakbeat track (the only obvious instance of bass guitar during the course of the hour) makes an appearance toward the end of the recording, much of the material is concerned with shifting, overlapping tones and frequencies which combine, harmonize and reverbate.
Sparse vocal samples accentuate Namlook's extended Synthi and Trautonium passages, with Laswell's deep, monochromatic bass textures providing an ample anchor point.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Telepathy I | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 15:31 | 35 MB | 0 MB |
| 2 | Trautoniolo | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 04:02 | 9 MB | 0 MB |
| 3 | Mind Transference Control | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 16:24 | 37 MB | 0 MB |
| 4 | Mind over Energy | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 12:56 | 29 MB | 0 MB |
| 5 | Vocal Psi | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 02:56 | 6 MB | 0 MB |
| 6 | Telepathy II | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 04:52 | 11 MB | 0 MB |
| 7 | Lights Out | Pete Namlook & Bill Laswell, Bill Laswell, Pete Namlook | Play | 07:05 | 16 MB | 0 MB |
| 63 mins | 146 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Peter Kuhlmann | Producer |
| 2 | Bill Laswell | Performer, Primary Artist |
| 3 | Pete Namlook | Primary Artist |
| 4 | Pete Namlook & Bill Laswell | Primary Artist |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |