| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Symphonic Dances Op.45 I Non allegro | Neeme Jarvi, Philharmonia Orchestra | Play | 11:32 | 26 MB | 44 MB |
| 2 | Symphonic Dances Op.45 II Adante Con Moto (Tempo dDi Valse) | Neeme Jarvi, Philharmonia Orchestra | Play | 10:58 | 25 MB | 42 MB |
| 3 | Symphonic Dances Op.45 III Lento Assai - Allegro Vivace | Neeme Jarvi, Philharmonia Orchestra | Play | 13:58 | 32 MB | 60 MB |
| 4 | Dances From Aleko - Women's Dance | Neeme Jarvi, Philharmonia Orchestra | Play | 04:24 | 10 MB | 15 MB |
| 5 | Dances From Aleko - Men's Dance | Neeme Jarvi, Philharmonia Orchestra | Play | 04:58 | 11 MB | 21 MB |
| 6 | Capriccio bohien Op. 12 | Neeme Jarvi, Philharmonia Orchestra | Play | 18:33 | 42 MB | 78 MB |
| 64 mins | 147 MB | |||||
| 64 mins | 263 MB | |||||
Neeme Jarvi
1990 - 4 tracks
Shostakovich Symphony No.11 “The Year 1905” - Gothenburg Symphony Orchestra, Neeme Jarvi
2001 - 10 tracks
Shostakovitch：The Symphonies CD12 - Neeme Jarvi, Scottish Chamber Orchestra, Gothenburg Symphony Orchestra
2001 - 3 tracks
Shostakovitch：The Symphonies CD13 - Neeme Jarvi, Scottish Chamber Orchestra, Gothenburg Symphony Orchestra
Philharmonia Orchestra
2005 - 13 tracks
Horn Concertos, Quintet For Piano And Wind - Herbert von Karajan, Philharmonia Orchestra
2011 - 6 tracks
Decca Sound CD 4 - Vladimir Ashkenazy Conducts Sibelius & Mussorgsky - Vladimir Ashkenazy, Philharmonia Orchestra
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |