In the time it took her to release her first three proper albums, Sarah McLachlan put out nearly as much music as B-sides, singles, or stray tracks for compilations and soundtracks, leaving no easy job for fans wanting her entire output.
Rarities, B-Sides & Other Stuff collects 13 of these non-album tracks, including "I Will Remember You" from the Brothers McMullen soundtrack, "Dear God," the song she contributed to an XTC tribute album, a cover of Joni Mitchell's "Blue," and several remixes.
While this by no means empties the vaults or even collects all the necessary B-sides (her spot-on version of Peter Gabriel's "Solsbury Hill," for instance, is not included), Rarities' focus on remixes does, in the end, provide an interesting and highly listenable alternate view of the artist.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Dear GodDavid Gregory, Colin Moulding, Andy Partridge | Sarah McLachlan | Play | 03:55 | 8 MB | 25 MB |
| 2 | I Will Remember YouSéamus Egan, Sarah McLachlan, Dave Merenda | Sarah McLachlan | Play | 04:55 | 11 MB | 28 MB |
| 3 | Full of GraceSarah McLachlan | Sarah McLachlan | Play | 03:40 | 8 MB | 20 MB |
| 4 | Song for a Winter's NightGordon Lightfoot | Sarah McLachlan | Play | 03:47 | 8 MB | 20 MB |
| 5 | BlueJoni Mitchell | Sarah McLachlan | Play | 02:50 | 6 MB | 14 MB |
| 6 | Fear (LunaSol Remix) | Sarah McLachlan | Play | 06:41 | 15 MB | 38 MB |
| 7 | Gloomy Sunday (Live) | Sarah McLachlan | Play | 04:47 | 10 MB | 21 MB |
| 8 | Drawn To The Rhythm (Live) | Sarah McLachlan | Play | 05:16 | 12 MB | 32 MB |
| 9 | Shelter (Violin Mix) | Sarah McLachlan | Play | 03:30 | 8 MB | 18 MB |
| 10 | As The End Draws Near (Extended Remix) | Sarah McLachlan | Play | 04:46 | 10 MB | 30 MB |
| 11 | Vox (Extended Remix) | Sarah McLachlan | Play | 06:50 | 15 MB | 46 MB |
| 12 | Into The Fire (Extended Remix) | Sarah McLachlan | Play | 05:38 | 12 MB | 38 MB |
| 13 | Possession (Rabbit In The Moon Remix) | Quiet Riot, Sarah McLachlan | Play | 05:51 | 13 MB | 37 MB |
| 62 mins | 143 MB | |||||
| 62 mins | 374 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Larry Anschell | Mixing, Producer |
| 2 | Deni Bonet | Viola, Violin |
| 3 | Brian Bothwell | Composer |
| 4 | D.P. "Dad" Carter | Composer |
| 5 | David Christophere | Mixing, Producer, Remixing, Remix Producer |
| 6 | Bill Dillon | Bass, Guitar (Electric) |
| 7 | DJ Monk | Mixing, Remix Producer |
| 8 | Luke Doucet | Guitar, Guitar (Electric) |
| 9 | Séamus Egan | Composer |
| 10 | Dan Fraser | Associate Producer |
| 11 | Perry Geyer | Composer |
| 12 | David Gregory | Composer |
| 13 | Camille Henderson | Gut String Guitar, Vocal Harmony |
| 14 | Dave Kershaw | Bass (Acoustic), Keyboards, Mellotron, Organ (Hammond) |
| 15 | Jocelyne Lanois | Bass |
| 16 | Sam M. Lewis | Composer |
| 17 | Gordon Lightfoot | Composer |
| 18 | Kimberly Linekin | Vocals (Background) |
| 19 | George Maniatis | Editing, Producer, Remix Editing Engineer, Sequencing |
| 20 | Manufacture | Primary Artist, Producer |
| 21 | Pierre Marchand | Composer, Guitar (Acoustic), Keyboards, Mixing, Producer, String Arrangements |
| 22 | Sarah McLachlan | Arranger, Composer, Guitar (Acoustic), Guitar (Electric), Mixing, Piano, Primary Artist, Producer, Vocals |
| 23 | Dave Merenda | Composer |
| 24 | Brian Minato | Bass, Bass (Electric) |
| 25 | Joni Mitchell | Composer |
| 26 | Turtle Mobile | Producer |
| 27 | Colin Moulding | Composer |
| 28 | Stephen Nikleva | Guitar (Electric) |
| 29 | Andy Partridge | Composer |
| 30 | Greg Reely | Producer, Remix Producer |
| 31 | John Rummen | Sleeve Design |
| 32 | Jane Scarpantoni | Cello |
| 33 | Rezsö Seress | Composer |
| 34 | David Sinclair | Guitar, Guitar (Acoustic), Guitar (Electric) |
| 35 | Ashwin Sood | Drums, Percussion |
| 36 | Gary Stokes | Mixing, Producer |
| 37 | Anthony Valcic | Editing, Producer, Remix Editing Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |