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Water was being tread ever so slightly here, but there's still enough impressive musicianship and (to a lesser extent) interesting songwriting to qualify this as a solid artifact of the Allmans Mach 2 period (although the occasionally jarring use of synthesizers, rather than the band's usual organ/piano sound, has dated a bit).
The standout track is clearly "From the Madness of the West," the sole song here where the twin guitars of Dickey Betts and Dan Toler recall earlier band classics like "Jessica." Also noteworthy is a stomping barrelhouse rocker, "I've Got a Right," sung by Gregg Allman with his usual gruff bluster, and the catchy mean-woman blues "Angeline," which became a minor radio hit.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Hell and High WaterDickey Betts | The Allman Brothers Band | Play | 03:38 | 8 MB | 24 MB |
| 2 | Mystery WomanGregg Allman, Dan Toler | The Allman Brothers Band | Play | 03:35 | 8 MB | 23 MB |
| 3 | From the Madness of the WestDickey Betts | The Allman Brothers Band | Play | 06:38 | 15 MB | 46 MB |
| 4 | I Got a Right to Be WrongDickey Betts | The Allman Brothers Band | Play | 03:46 | 8 MB | 26 MB |
| 5 | AngelineDickey Betts, Johnny Cobb, Mike Lawler | The Allman Brothers Band | Play | 03:45 | 8 MB | 24 MB |
| 6 | Famous Last WordsDickey Betts, Bonnie Bramlett | The Allman Brothers Band | Play | 02:48 | 6 MB | 19 MB |
| 7 | Keep on Keepin' OnDickey Betts, Dan Toler | The Allman Brothers Band | Play | 04:10 | 9 MB | 27 MB |
| 8 | So LongGregg Allman, Dan Toler | The Allman Brothers Band | Play | 06:57 | 15 MB | 44 MB |
| 35 mins | 80 MB | |||||
| 35 mins | 236 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | The Allman Brothers Band | Primary Artist, Producer |
| 2 | Gregg Allman | Composer, Keyboards, Organ, Producer, Vocals |
| 3 | Ray Barber | Logo Illustration |
| 4 | Dickey Betts | Composer, Guitar, Slide Guitar, Synthesizer, Vocals |
| 5 | Bonnie Bramlett | Composer |
| 6 | Don Buh | Management |
| 7 | Johnny Cobb | Composer, Piano, Producer, Vocals (Background) |
| 8 | Sherry Cobb | Vocals (Background) |
| 9 | Stan Dacus | Engineer |
| 10 | Charlie Daniels | Violin |
| 11 | Donn Davenport | Art Direction |
| 12 | Jim Essery | Harmonica |
| 13 | Jim Essey | Harmonica |
| 14 | Elliott Federman | Mastering |
| 15 | Howard Fritzman | Art Direction |
| 16 | Howard Fritzson | Logo Design |
| 17 | Vincent Frye | Back Cover, Cover Art |
| 18 | David Goldflies | Bass |
| 19 | Jimmy Hall | Saxophone, Vocals |
| 20 | Bill Hoyt | Stage Manager |
| 21 | Jai Johanny Johanson | Drums |
| 22 | Kalifornia Kurt Kinzel | Engineer, Mixing |
| 23 | Mike Lawler | Composer, Keyboards, Piano, Piano (Electric), Producer, Synthesizer |
| 24 | George Marino | Mastering |
| 25 | Mark Morris | Congas, Percussion, Timbales |
| 26 | Lee Peterzell | Engineer |
| 27 | Mike Ragogna | Director |
| 28 | David Richman | Project Coordinator |
| 29 | Jim Stabile | Engineer |
| 30 | Dan Toler | Composer, Guitar |
| 31 | David "Frankie" Toler | Drums |
| 32 | Butch Trucks | Drums, Percussion, Syndrum |
| 33 | Elisabeth Withers | Vocals (Background) |
The Allman Brothers Band
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| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |