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Recorded in December, 1990 during a series of live gigs at the Tokyo club Inkstick, Readymade Recordings shows another side of the usually studio-bound band.
Here, backed by members of Yasuharu Konishi's side-project Tokyo's Coolest Combo, Pizzicato Five come across as a beatnik lounge band.
Nomiya Maki makes a confident, though not exactly spectacular debut as singer in front of spare piano, vibes, and drums arrangements.
The songs here never turned up in any other form on any other release, apart from "Lament No.
5," which popped up on Matador's Sound of Music compilation.
And except for that track, the album isn't very interesting apart from the historical value.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Jinx | Pizzicato Five | Play | 05:26 | 12 MB | 26 MB |
| 2 | Vacance | Pizzicato Five | Play | 03:45 | 8 MB | 19 MB |
| 3 | Kekkon no Subete | Pizzicato Five | Play | 04:52 | 11 MB | 24 MB |
| 4 | Josei Jouijidai ~an interview for I-D JAPAN magazine | Pizzicato Five | Play | 02:20 | 5 MB | 0 MB |
| 5 | Roudoku Numata Genki | Pizzicato Five | Play | 03:05 | 7 MB | 12 MB |
| 6 | Sora Tobu Rika Kyoushitsu | Pizzicato Five | Play | 03:10 | 7 MB | 15 MB |
| 7 | No.5 | Pizzicato Five | Play | 05:10 | 11 MB | 29 MB |
| 27 mins | 64 MB | |||||
| 25 mins | 128 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Pizzicato Five | Composer, Primary Artist |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |