Sale!
Red Garland's third session as a leader finds the distinctive pianist investigating eight standards (including "Please Send Me Someone to Love," "Stompin' at the Savoy," "If I Were a Bell," and "Almost Like Being in Love") with his distinctive chord voicings, melodic but creative ideas, and solid sense of swing.
Joined by bassist Paul Chambers and drummer Art Taylor, Garland plays up to his usual consistent level, making this an easily recommended disc for straight-ahead fans.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Please Send Me Someone to LovePercy Mayfield | Red Garland | Play | 09:52 | 22 MB | 55 MB |
| 2 | Stompin' at the SavoyBenny Goodman, Andy Razaf, Edgar Sampson, Chick Webb | Red Garland | Play | 03:12 | 7 MB | 20 MB |
| 3 | Almost Like Being in LoveAlan Jay Lerner, Frederick Loewe | Red Garland | Play | 04:52 | 11 MB | 31 MB |
| 4 | If I Were a BellFrank Loesser | Red Garland | Play | 06:41 | 15 MB | 33 MB |
| 5 | I Can't Give You Anything But LoveDorothy Fields, Jimmy McHugh | Red Garland | Play | 05:05 | 11 MB | 27 MB |
| 6 | But Not for MeGeorge Gershwin, Ira Gershwin | Red Garland | Play | 05:52 | 13 MB | 33 MB |
| 7 | The Very Thought Of You | Red Garland | Play | 04:12 | 9 MB | 23 MB |
| 8 | I Know Why | Red Garland | Play | 04:50 | 11 MB | 23 MB |
| 44 mins | 102 MB | |||||
| 44 mins | 249 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Paul Chambers | Bass, Guest Artist, Guitar (Bass), Main Personnel |
| 2 | Esmond Edwards | Photography |
| 3 | Dorothy Fields | Composer |
| 4 | Red Garland | Main Personnel, Piano, Primary Artist |
| 5 | George Gershwin | Composer |
| 6 | Ira Gershwin | Composer |
| 7 | Ira Gitler | Liner Notes, Original Liner Notes |
| 8 | Benny Goodman | Composer |
| 9 | Mack Gordon | Composer |
| 10 | Stuart Kremsky | Reissue Producer, Reissue Production Assistance |
| 11 | Alan Jay Lerner | Composer |
| 12 | Frank Loesser | Composer |
| 13 | Frederick Loewe | Composer |
| 14 | Percy Mayfield | Composer |
| 15 | Jimmy McHugh | Composer |
| 16 | Reid Miles | Cover Design, Design |
| 17 | Shigeo Miyamoto | Mastering |
| 18 | Ray Noble | Composer |
| 19 | Nick Phillips | Reissue Producer |
| 20 | Andy Razaf | Composer |
| 21 | Edgar Sampson | Composer |
| 22 | Joe Tarantino | Remastering |
| 23 | Art Taylor | Drums, Guest Artist, Main Personnel |
| 24 | Rudy Van Gelder | Audio Engineer, Engineer, Liner Notes, Remastering |
| 25 | Harry Warren | Composer |
| 26 | Chick Webb | Composer |
| 27 | Bob Weinstock | Audio Production, Supervisor |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |