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Mixing a post-grunge sound, complete with a slight metal edge, and a radio-ready studio sheen, Red play songs that, although they're often filled with confusion, despair, and anger, are also ultimately positive and redemptive, which is where the band's Christian base comes into the blend.
Release the Panic, the group's fourth album (led by the title track as the first single), doesn't mess with the formula very much, and if they sound like Linkin Park, say, or Chevelle, that firm faith in hope and redemption gives the band a kind of spiritual warmth not always apparent at first listen.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Release the PanicAnthony Armstrong, Randy Armstrong, Michael Barnes, Jason McArthur, Jasen Rauch, Joe Rickard | RED | Play | 03:02 | 6 MB | 22 MB |
| 2 | Perfect LifeJohnny Andrews, Anthony Armstrong, Randy Armstrong, Michael Barnes, Jason McArthur, Jasen Rauch, Joe Rickard | RED | Play | 02:51 | 6 MB | 22 MB |
| 3 | Die for YouAnthony Armstrong, Randy Armstrong, Michael Barnes, Jason McArthur, Joe Rickard | RED | Play | 02:46 | 6 MB | 22 MB |
| 4 | DamageAnthony Armstrong, Randy Armstrong, Michael Barnes, Hunter Lamb, Jason McArthur, Joe Rickard | RED | Play | 03:41 | 8 MB | 27 MB |
| 5 | Same DiseaseJohnny Andrews, Anthony Armstrong, Randy Armstrong, Michael Barnes, Jason McArthur, Joe Rickard | RED | Play | 03:02 | 6 MB | 23 MB |
| 6 | Hold Me NowAnthony Armstrong, Randy Armstrong, Michael Barnes, Dave Hodges, Jasen Rauch, Joe Rickard | RED | Play | 04:01 | 9 MB | 28 MB |
| 7 | If We OnlyAnthony Armstrong, Randy Armstrong, Michael Barnes, Mark Holman, Jason McArthur, Jasen Rauch, Joe Rickard | RED | Play | 03:46 | 8 MB | 28 MB |
| 8 | So Far AwayJohnny Andrews, Anthony Armstrong, Randy Armstrong, Michael Barnes, Jasen Rauch, Joe Rickard | RED | Play | 03:55 | 9 MB | 29 MB |
| 9 | Glass HouseAnthony Armstrong, Randy Armstrong, Josh Baker, Michael Barnes, Jason McArthur, Jasen Rauch, Joe Rickard | RED | Play | 03:32 | 8 MB | 24 MB |
| 10 | The Moment We Come AliveAnthony Armstrong, Randy Armstrong, Josh Baker, Michael Barnes, Jason McArthur, Joe Rickard | RED | Play | 03:23 | 7 MB | 24 MB |
| 11 | Love Will Leave A Mark | Red | Play | 02:41 | 6 MB | 20 MB |
| 12 | As You Go | Red | Play | 04:17 | 9 MB | 26 MB |
| 13 | Hymn For The Missing (Guillotine Remix) | Red | Play | 04:34 | 10 MB | 31 MB |
| 14 | Death Of Me (Guillotine Remix) | Red | Play | 04:42 | 10 MB | 37 MB |
| 15 | Breathe Into Me (Remix Acustica) | Red | Play | 03:55 | 9 MB | 25 MB |
| 54 mins | 124 MB | |||||
| 54 mins | 396 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Johnny Andrews | Composer |
| 2 | Anthony Armstrong | Composer, Group Member, Guitar, Programming, Vocals (Background) |
| 3 | Randy Armstrong | Bass, Composer, Group Member, Piano, Vocals (Background) |
| 4 | Joseph Anthony Baker | Photography |
| 5 | Josh Baker | Composer |
| 6 | Michael Barnes | Composer, Group Member, Vocals, Vocals (Background) |
| 7 | Howard Benson | Keyboards, Mixing, Producer, Programming |
| 8 | Paul DeCarli | Digital Editing, Engineer |
| 9 | Bad Eagle | Producer |
| 10 | Kelly Henderson | Grooming |
| 11 | Bernie Herms | String Arrangements, String Programming |
| 12 | Dave Hodges | Composer |
| 13 | Mark Holman | Composer |
| 14 | Hatsukazu "Hatch" Inagaki | Engineer |
| 15 | Ted Jensen | Mastering |
| 16 | Hunter Lamb | Composer |
| 17 | Beth Lee | Art Direction |
| 18 | Jason McArthur | Composer, Executive Producer |
| 19 | Jon Nicholson | Drum Technician |
| 20 | Tim Parker | Art Direction, Design |
| 21 | Mike Plotnikoff | Engineer, Mixing |
| 22 | Jasen Rauch | Composer |
| 23 | RED | Primary Artist |
| 24 | Joe Rickard | Composer, Drums, Group Member, Programming |
| 25 | Jason Root | A&R |
| 26 | Marc VanGool | Guitar Technician |
| 27 | Sheena Winiarski | Wardrobe Assistant |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |