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Richard Marx's self-titled debut album was a finely crafted record of mainstream pop/rock.
Marx understood how the melodies of up-tempo rockers like "Don't Mean Nothin'" are driven by thick power chords, and how arrangements are as important as melody in ballads like "Hold On to the Nights." Filled with carefully constructed radio-ready tracks, it was no surprise that the album became a huge hit.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Should've Known BetterRichard Marx | Richard Marx | Play | 04:10 | 9 MB | 28 MB |
| 2 | Don't Mean NothingBruce Gaitsch, Richard Marx | Richard Marx | Play | 04:41 | 10 MB | 31 MB |
| 3 | Endless Summer NightsRichard Marx | Richard Marx | Play | 04:30 | 10 MB | 29 MB |
| 4 | Lonely HeartRichard Marx, Fee Waybill | Richard Marx | Play | 03:54 | 8 MB | 27 MB |
| 5 | Hold on to the NightsRichard Marx | Richard Marx | Play | 05:19 | 12 MB | 29 MB |
| 6 | Have MercyRichard Marx | Richard Marx | Play | 04:32 | 10 MB | 30 MB |
| 7 | Remember ManhattanRichard Marx, Fee Waybill | Richard Marx | Play | 04:17 | 9 MB | 30 MB |
| 8 | The Flame of LoveJim Lang, Richard Marx | Richard Marx | Play | 03:37 | 8 MB | 23 MB |
| 9 | Rhythm of LifeRichard Marx, Michael Omartian | Richard Marx | Play | 04:45 | 10 MB | 31 MB |
| 10 | Heaven Only KnowsRichard Marx | Richard Marx | Play | 05:40 | 13 MB | 36 MB |
| 45 mins | 104 MB | |||||
| 45 mins | 299 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Alex Acuña | Guest Artist, Percussion |
| 2 | Rev. Dave Boruff | Saxophone |
| 3 | DeWayne Brady | Vocals (Background) |
| 4 | Joe Chemay | Bass |
| 5 | Susanne Christian | Vocals (Background) |
| 6 | Judy Clapp | Second Engineer |
| 7 | Brittney Cole | Vocals (Background) |
| 8 | David Cole | Engineer, Producer, Remixing |
| 9 | Bobby Colomby | Vocals (Background) |
| 10 | Paulinho Da Costa | Percussion |
| 11 | Peter Doell | Second Engineer, Vocals (Background) |
| 12 | Nathan East | Bass |
| 13 | Susanne Edgren | Production Coordination, Vocals (Background) |
| 14 | Bruce Gaitsch | Composer, Guitar, Guitar (Rhythm) |
| 15 | Humberto Gatica | Engineer, Mixing, Producer |
| 16 | Gary Grant | Horn |
| 17 | Jerry Hey | Horn, Horn Arrangements |
| 18 | Tris Imboden | Drums |
| 19 | John Keane | Drums |
| 20 | Tom Keane | Arranger, Keyboards |
| 21 | Julie Landau | Vocals (Background) |
| 22 | Michael Landau | Guitar |
| 23 | Jim Lang | Composer, Drum Programming, Keyboard Programming, Producer |
| 24 | Rhett Lawrence | Drum Arrangements, Drums, Keyboard Arrangements, Keyboards, Programming |
| 25 | Dick Marx | Vocals (Background) |
| 26 | Richard Marx | Arranger, Composer, Drum Arrangements, Drums, Horn Arrangements, Keyboard Arrangements, Keyboards, Lyricist, Primary Artist, Producer, Vocal Arrangement, Vocals, Vocals (Background) |
| 27 | Ruth Marx | Vocals (Background) |
| 28 | Randy Meisner | Guest Artist, Vocals (Background) |
| 29 | Loretta Munoz | Vocals (Background) |
| 30 | Patrick O'Hearn | Bass |
| 31 | Michael Omartian | Arranger, Composer, Horn Arrangements, Keyboards, Piano |
| 32 | John Pierce | Bass |
| 33 | Dean Pitchford | Vocals (Background) |
| 34 | Jim Preziosi | Second Engineer |
| 35 | Prairie Prince | Drums |
| 36 | William Frank "Bill" Reichenbach Jr. | Horn |
| 37 | Cynthia Rhodes | Vocals (Background) |
| 38 | Paula Scher | Art Direction |
| 39 | Timothy B. Schmit | Guest Artist, Vocals (Background) |
| 40 | Anne Schwartz | Vocals (Background) |
| 41 | Ross Schwartz | Vocals (Background) |
| 42 | Tony Sellari | Design |
| 43 | David Shelley | Vocals (Background) |
| 44 | Stephen Shelton | Second Engineer |
| 45 | Karen Siegel | Second Engineer |
| 46 | Joe Walsh | Guest Artist, Guitar, Guitar (Rhythm) |
| 47 | Fee Waybill | Composer, Vocals (Background) |
| 48 | Karyn White | Vocals (Background) |
| 49 | Larry Williams | Horn |
| 50 | Terry Williams | Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |