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Rift, Phish's follow up to their major-label breakthrough A Picture of Nectar, follows the same pattern as its predecessor, but doesn't live up to the surprising, adventurous music on Nectar.
Instead, most of the album sounds like an uninspired retread, as the band tries to fashion their songs into a loose concept album.
The concentration on thematic unity tends to rob Phish of the loose spontaneity that makes them unique and makes Rift a bland, tedious listen.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | RiftTrey Anastasio, Tom Marshall | Phish | Play | 06:13 | 14 MB | 39 MB |
| 2 | Fast Enough for YouTrey Anastasio, Tom Marshall | Phish | Play | 04:51 | 11 MB | 28 MB |
| 3 | LengthwiseJonathan Fishman | Phish | Play | 00:34 | 1 MB | 2 MB |
| 4 | MazeTrey Anastasio, Tom Marshall | Phish | Play | 08:13 | 18 MB | 53 MB |
| 5 | SparkleTrey Anastasio, Tom Marshall | Phish | Play | 03:54 | 8 MB | 23 MB |
| 6 | HornTrey Anastasio, Tom Marshall | Phish | Play | 03:37 | 8 MB | 22 MB |
| 7 | The WedgeTrey Anastasio, Tom Marshall | Phish | Play | 04:07 | 9 MB | 27 MB |
| 8 | My Friend, My FriendTrey Anastasio, Tom Marshall | Phish | Play | 06:09 | 14 MB | 39 MB |
| 9 | WeighMike Gordon | Phish | Play | 05:08 | 11 MB | 32 MB |
| 10 | All Things ReconsideredTrey Anastasio, Tom Marshall | Phish | Play | 02:32 | 5 MB | 15 MB |
| 11 | MoundMike Gordon | Phish | Play | 06:02 | 13 MB | 39 MB |
| 12 | It's IceTrey Anastasio, Tom Marshall | Phish | Play | 08:14 | 18 MB | 51 MB |
| 13 | LengthwiseJonathan Fishman | Phish | Play | 00:34 | 1 MB | 2 MB |
| 14 | The HorseTrey Anastasio, Tom Marshall | Phish | Play | 01:24 | 3 MB | 6 MB |
| 15 | Silent in the MorningTrey Anastasio, Tom Marshall | Phish | Play | 05:28 | 12 MB | 32 MB |
| 67 mins | 153 MB | |||||
| 67 mins | 418 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Jon Altschiller | Assistant Engineer |
| 2 | Trey Anastasio | Bass, Composer, Guitar, Guitar (Electric), Vocals |
| 3 | Chris Bailey | Studio Assistant |
| 4 | Barry Beckett | Producer |
| 5 | Jonathan Fishman | Composer, Drums |
| 6 | Mike Gordon | Composer, Guitar (Bass), Vocals |
| 7 | Pete Greene | Engineer |
| 8 | Kevin Halpin | Engineer |
| 9 | Tom Marshall | Composer |
| 10 | Page McConnell | Bass, Keyboards, Vocals |
| 11 | Michael F. Mills | Design |
| 12 | Mark Nevers | Mixing |
| 13 | Greg Parker | Assistant Engineer |
| 14 | Phish | Primary Artist |
| 15 | Gordon Stone | Guitar (Steel), Pedal Steel |
| 16 | David Walker | Artwork |
| 17 | Tom Walters | Studio Assistant |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |