When Mel Tormé signed with Columbia in the mid-'60s, the jazz singer was talked into recording current pop tunes.
The resulting music is so bad as to be laughable.
Even fans of lounge music will find Tormé's treatments of a variety of teen songs (he was over 40 at the time) to be quite awkward and embarrassing.
Imagine hearing Mel Tormé trying to sound hip on "Walk on By," "If I Had a Hammer," "Strangers in the Night," "Secret Agent Man," "Molly Marlene" (which is about a go-go girl), and "Dominique's Discotheque," all of which have dated pop rhythms and background singers.
One of the obvious low points of his career.