On this release, Dan Fogelberg was beginning to find a place where he could make his own kind of music while successfully absorbing current influences.
Much like Jackson Browne and Don Henley, he was able to bring electronic and rhythmic touches to his sound while maintaining the simplicity of his music and continuing to write songs that explored the themes that had always worked for him.
The title cut, "Serengeti Moon," and "A Voice for Peace" were some of the most heartfelt songs Fogelberg had written in years and reflected a renewed commitment to writing about issues that he had always felt strongly about.
Exhibiting the right balance between acoustic instrumentation and electronics, the album has a modern sound, yet maintains the organic spirit of Fogelberg's music.
It clearly set the stage for a complete rebirth.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Magic Every MomentDan Fogelberg | Dan Fogelberg | Play | 04:22 | 10 MB | 30 MB |
| 2 | All There IsDan Fogelberg | Dan Fogelberg | Play | 04:34 | 10 MB | 29 MB |
| 3 | The MinstrelDan Fogelberg | Dan Fogelberg | Play | 04:42 | 10 MB | 26 MB |
| 4 | Faces of AmericaDan Fogelberg | Dan Fogelberg | Play | 06:09 | 14 MB | 40 MB |
| 5 | Holy RoadDan Fogelberg | Dan Fogelberg | Play | 06:01 | 13 MB | 40 MB |
| 6 | Serengeti MoonDan Fogelberg | Dan Fogelberg | Play | 04:45 | 10 MB | 29 MB |
| 7 | Higher GroundDan Fogelberg | Dan Fogelberg | Play | 05:50 | 13 MB | 33 MB |
| 8 | A Love Like ThisDan Fogelberg | Dan Fogelberg | Play | 03:57 | 9 MB | 24 MB |
| 9 | River of SoulsDan Fogelberg | Dan Fogelberg | Play | 06:11 | 14 MB | 38 MB |
| 10 | A Voice for PeaceDan Fogelberg | Dan Fogelberg | Play | 05:51 | 13 MB | 39 MB |
| 52 mins | 120 MB | |||||
| 52 mins | 335 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Alex Acuña | Congas, Multi Instruments, Percussion, Udu |
| 2 | Neal Avron | Assistant Engineer |
| 3 | Bill Bergman | Horn, Horn Arrangements |
| 4 | Mike Botts | Cymbals, Drums, Drums (Bass), Hi Hat |
| 5 | Pam Boulding | Dulcimer, Hammer Dulcimer |
| 6 | Philip Boulding | Celtic Harp, Harp, Penny Whistle, Whistle (Instrument) |
| 7 | David Campbell | Arranger, Conductor, String Arrangements |
| 8 | Lenny Castro | Congas, Timbales |
| 9 | Henry Diltz | Photography |
| 10 | Gene Elders | Fiddle |
| 11 | Dennis Farias | Horn |
| 12 | Mike Finnegan | Organ |
| 13 | Anastasia Fogelberg | Assistant Engineer |
| 14 | Dan Fogelberg | Bass, Composer, Drum Programming, Engineer, Guitar, Guitar (Acoustic), Guitar (Electric), Keyboards, Mandolin, Multi Instruments, Organ, Percussion, Piano, Primary Artist, Producer, Programming, Sampling, Slide Guitar, Vocals |
| 15 | Daniel Fornero | Horn |
| 16 | Bob Glaub | Bass |
| 17 | Dave Glover | Assistant Engineer |
| 18 | Michael Hanna | Keyboards |
| 19 | Larry Klein | Bass, Fretless Bass |
| 20 | Mike Kloster | Assistant Engineer |
| 21 | Kosh | Art Direction, Design |
| 22 | Russ Kunkel | Cymbals, Drums |
| 23 | Stephen Kupka | Horn |
| 24 | Stephen "Doc" Kupka | Horn |
| 25 | Marty Lewis | Engineer |
| 26 | Maxine | Vocals (Background) |
| 27 | Robert McEntee | Guitar (Electric) |
| 28 | Robert McEntree | Guitar (Electric) |
| 29 | Vince Melamed | Marimba, Synthesizer |
| 30 | Kevin Nimmo | Assistant Engineer |
| 31 | Bill Payne | Piano |
| 32 | Mike Porcaro | Bass |
| 33 | Denny Purcell | Mastering |
| 34 | Dave Reynolds | Engineer |
| 35 | Elliot Scheiner | Engineer, Mixing |
| 36 | Julia Tillman Waters | Vocals (Background) |
| 37 | James Tuttle | Engineer |
| 38 | Carlos Vega | Drums |
| 39 | Julia Waters | Vocals (Background) |
| 40 | Oren Waters | Vocals (Background) |
| 41 | Maxine Willard Waters | Vocals (Background) |
| 42 | Tom Winslow | Mixing Assistant |
| 43 | Brian Wittman | Art Direction, Design |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |