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In the cut-throat teen-pop supremacy stakes, the advantage of having your own television program can not be overestimated.
Not only does it increase exposure, but it also allows the group to establish a vital sense of character that the likes of Steps and B*witched can only develop in a less direct fashion.
Eschewing the standard songwriting teams for a variety of contributors, S CLUB 7 is certainly shot through with the same joie de vivre as the "Miami 7" show.
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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Bring It All BackS Club 7, Eliot Kennedy, Tim Lever, Mike Percy | S Club 7 | Play | 03:33 | 8 MB | 25 MB |
| 2 | You're My Number OneDuffleBag Boys | S Club 7 | Play | 03:35 | 8 MB | 25 MB |
| 3 | Two in a MillionCathy Dennis, Simon Ellis | S Club 7 | Play | 03:31 | 8 MB | 23 MB |
| 4 | S Club Party | S Club 7 | Play | 03:30 | 8 MB | 24 MB |
| 5 | Everybody Wants YaTracie Ackerman, Paul Wilson | S Club 7 | Play | 03:09 | 7 MB | 23 MB |
| 6 | Viva la FiestaCathy Dennis | S Club 7 | Play | 03:08 | 7 MB | 22 MB |
| 7 | Gonna Change the World | S Club 7 | Play | 04:06 | 9 MB | 29 MB |
| 8 | I Really Miss YouEliot Kennedy | S Club 7 | Play | 03:54 | 8 MB | 26 MB |
| 9 | Friday NightTim Laws | S Club 7 | Play | 03:49 | 8 MB | 27 MB |
| 10 | It's a Feel Good ThingDuffleBag Boys, K. Fuller | S Club 7 | Play | 02:58 | 6 MB | 21 MB |
| 11 | Hope for the FutureCathy Dennis | S Club 7 | Play | 03:56 | 9 MB | 27 MB |
| 39 mins | 90 MB | |||||
| 39 mins | 276 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Absolute | Producer |
| 2 | Tracie Ackerman | Composer, Vocals (Background) |
| 3 | Phil Bodger | Mixing |
| 4 | Cathy Dennis | Composer |
| 5 | Richard Dowling | Mastering |
| 6 | DuffleBag Boys | Arranger, Composer, Producer |
| 7 | Simon Ellis | Composer |
| 8 | Steve Fitzmaurice | Engineer, Mixing |
| 9 | Simon Franglen | Producer |
| 10 | K. Fuller | Composer |
| 11 | Steve Hilton | Keyboards, Programming |
| 12 | Eliot Kennedy | Composer, Producer |
| 13 | The Kick Horns | Brass Arrangement |
| 14 | Jan "Stan" Kybert | Mixing Assistant |
| 15 | Tim Laws | Composer |
| 16 | Tim Lever | Composer, Producer |
| 17 | Angela Lupino | Producer |
| 18 | Milton McDonald | Guitar |
| 19 | Dean Murphy | Engineer, Mixing |
| 20 | Mike Percy | Composer, Producer |
| 21 | Anna Ross | Vocals (Background) |
| 22 | S Club 7 | Composer, Primary Artist |
| 23 | Stargate | Producer, Remixing |
| 24 | Mark "Spike" Stent | Mixing |
| 25 | Noel Summerville | Mastering |
| 26 | Keith Uddin | Mixing Assistant |
| 27 | Paul Walton | Engineer |
| 28 | Jeremy Wheatley | Mixing, Producer |
| 29 | Paul Wilson | Composer |
| 30 | Andy Wright | Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |