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The full-string orchestrations really don't help the music other than to bring Chappell's style firmly into the easy-listening realm.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Saturday's RhapsodyJim Chappell | Jim Chappell | Play | 05:58 | 13 MB | 31 MB |
| 2 | Field DayJim Chappell | Jim Chappell | Play | 04:02 | 9 MB | 22 MB |
| 3 | Adventure No. 11Jim Chappell | Jim Chappell | Play | 05:19 | 12 MB | 30 MB |
| 4 | The RainJim Chappell | Jim Chappell | Play | 04:44 | 10 MB | 15 MB |
| 5 | Hopes and DreamsJim Chappell | Jim Chappell | Play | 04:23 | 10 MB | 23 MB |
| 6 | Sidewalk CharactersJim Chappell | Jim Chappell | Play | 04:11 | 9 MB | 20 MB |
| 7 | Fancy PantsJim Chappell | Jim Chappell | Play | 04:28 | 10 MB | 24 MB |
| 8 | The High RoadJim Chappell | Jim Chappell | Play | 04:25 | 10 MB | 22 MB |
| 9 | Woman in the MirrorJim Chappell | Jim Chappell | Play | 04:44 | 10 MB | 20 MB |
| 10 | A Weekend to RememberJim Chappell | Jim Chappell | Play | 04:20 | 9 MB | 20 MB |
| 11 | Estár Contigo (To Be With You)Jim Chappell | Jim Chappell | Play | 06:19 | 14 MB | 32 MB |
| 12 | One Last TimeJim Chappell | Jim Chappell | Play | 03:51 | 8 MB | 19 MB |
| 56 mins | 130 MB | |||||
| 56 mins | 282 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Jenny Amador | Violin |
| 2 | Rick Amador | Violin |
| 3 | Russell Bond | Producer |
| 4 | Priscilla Call | Flute |
| 5 | Jim Chappell | Arranger, Bells, Composer, Piano, Primary Artist, Producer, Sampling |
| 6 | Marilyn Coin | Horn (English), Oboe |
| 7 | Tom Corwin | Fretless Bass |
| 8 | Rachel Durling | Violin |
| 9 | Lygia Ferra | Vocals |
| 10 | Joseph Hébert | Cello |
| 11 | Bob Hodas | Engineer, Mixing |
| 12 | Melanie Jordin | Executive Producer, Management |
| 13 | Pat Klabas | Bass |
| 14 | Pat Klobas | Accompaniment, Bass (Acoustic) |
| 15 | Billie Lee Lewis | Drums |
| 16 | Mike Marshall | Mandolin |
| 17 | Carla Picchi | Violin |
| 18 | Michael Pluznick | Percussion |
| 19 | Tom Politzer | Clarinet, Sax (Alto), Sax (Soprano), Sax (Tenor) |
| 20 | Robert M. Powell | Guitar, Guitar (12 String), Guitar (12 String Acoustic), Guitar (Acoustic), Guitar (Baritone), Guitar (Steel), Pedal Steel |
| 21 | Dan Reiter | Cello |
| 22 | Irene Sazer | Viola, Violin |
| 23 | Kevin Scott | Assistant Engineer, Mixing Assistant |
| 24 | Becky Sebring | Viola, Violin |
| 25 | Kate Stenberg | Violin |
| 26 | Paul Stubblebine | Mastering |
| 27 | James "Watts" Verecke | Assistant Engineer |
| 28 | Michael White | Bass (Electric), Fretless Bass, Guitar (Electric) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |