Sale!
Tim Buckley went deeper into white funk on Sefronia, despite two problems: white funk was not the forte of these L.A.
session musicians and female backup vocalists, and not the style for which Buckley himself had the greatest empathy.
His voice isn't as stunning as usual on his next-to-last album, but the bigger problem is the material, which is usually forced and pedestrian.
Glimmers of quality can be heard on his cover of Fred Neil's "The Dolphins," and the strange two-part title track, which is a throwback to his more ambitious vocal workouts of times past.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | DolphinsFred Neil | Tim Buckley | Play | 03:13 | 0 MB | 19 MB |
| 2 | Honey ManLarry Beckett, Tim Buckley | Tim Buckley | Play | 04:11 | 0 MB | 28 MB |
| 3 | Because of YouLarry Beckett, Tim Buckley | Tim Buckley | Play | 04:28 | 0 MB | 26 MB |
| 4 | Peanut Man | Tim Buckley | Play | 02:53 | 0 MB | 16 MB |
| 5 | MarthaTom Waits | Tim Buckley | Play | 03:18 | 0 MB | 18 MB |
| 6 | QuicksandTim Buckley | Tim Buckley | Play | 03:25 | 0 MB | 20 MB |
| 7 | Stone in LoveTim Buckley | Tim Buckley | Play | 03:30 | 0 MB | 21 MB |
| 8 | Sally, Go 'Round the RosesTim Buckley | Tim Buckley | Play | 03:42 | 0 MB | 19 MB |
| 9 | I Know I'd Recognise Your Face | Tim Buckley | Play | 04:01 | 0 MB | 23 MB |
| 10 | Sefronia - After Asklopiades, After Kafka | Tim Buckley | Play | 03:11 | 0 MB | 17 MB |
| 11 | Sefronia - The King's Chain | Tim Buckley | Play | 02:30 | 0 MB | 12 MB |
| 0 mins | 0 MB | |||||
| 38 mins | 224 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Sharon Beard | Vocals, Vocals (Background) |
| 2 | Larry Beckett | Composer |
| 3 | David Blumberg | String Arrangements |
| 4 | Tim Buckley | Composer, Guitar, Guitar (12 String), Primary Artist, Rhythm Arrangements, Vocals |
| 5 | Larry Bunker | Percussion |
| 6 | Ed Caraeff | Photography |
| 7 | Roger Dollarhide | Engineer |
| 8 | Earl Dumler | Horn (English) |
| 9 | Eric Dumler | Horn |
| 10 | Joe Falsia | Guitar, String Arrangements |
| 11 | Buddy Heim | Drums |
| 12 | Buddy Helm | Drums |
| 13 | Larry Hirsch | Engineer |
| 14 | Bill Inglot | Digital Remastering, Remixing |
| 15 | King Errisson | Congas, Percussion, Tambourine |
| 16 | Bob MacLeod, Jr. | Mastering |
| 17 | Myrna Matthews | Vocals, Vocals (Background) |
| 18 | Kerry McNabb | Engineer |
| 19 | Bernie Mysior | Bass, Guitar (Bass) |
| 20 | Fred Neil | Composer |
| 21 | Ken Perry | Digital Remastering, Remixing |
| 22 | Reinie Press | Bass |
| 23 | Bob Rafkin | Guitar |
| 24 | Denny Randell | Composer, Horn Arrangements, Keyboards, Producer, Rhythm Arrangements, String Arrangements, Vocal Arrangement |
| 25 | Lisa Roberts | Vocals, Vocals (Background) |
| 26 | Cal Schenkel | Design |
| 27 | Tom Scott | Sax (Tenor), Saxophone |
| 28 | Fred Selden | Flute |
| 29 | Sid Sharp | Concert Master |
| 30 | Mark Tieman | Keyboards |
| 31 | Mark Tiernan | Keyboards |
| 32 | Lee Underwood | Guest Artist, Guitar |
| 33 | Greg Venable | Engineer |
| 34 | Tom Waits | Composer |
| 35 | Marcia Waldorf | Vocals |
| 36 | Ken Watson | Percussion, Timpani |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |