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Diana Ross continued her steady pace in the early '80s, scoring a hit single with the curious song "Muscles." She was now established as a stylist and show business celebrity, and seldom evoked the soulful or sensual air that characterized her past material.
The songs were also more elaborately produced, the arrangements designed to accent the carefully calculated pauses, sighs, and coos, and the compositions more suggestive in their lyrics than convincing or compelling.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | MusclesMichael Jackson | Diana Ross | Play | 04:38 | 10 MB | 26 MB |
| 2 | So CloseDiana Ross, Bill Wray | Diana Ross | Play | 04:17 | 9 MB | 26 MB |
| 3 | Still in LoveRandy Handley | Diana Ross | Play | 04:09 | 9 MB | 23 MB |
| 4 | Fool for Your LoveRay Chew, Diana Ross, Bill Wray | Diana Ross | Play | 03:49 | 8 MB | 25 MB |
| 5 | WhoHarry Blue, Roderick Bowkett | Diana Ross | Play | 03:37 | 8 MB | 22 MB |
| 6 | Love LiesAllan Chapman, Michael Hanna | Diana Ross | Play | 03:47 | 8 MB | 21 MB |
| 7 | In Your ArmsLinda Creed, Michael Masser | Diana Ross | Play | 04:07 | 9 MB | 21 MB |
| 8 | Anywhere You Run ToDavid Roberts | Diana Ross | Play | 03:33 | 8 MB | 21 MB |
| 9 | I am MeJanie Bradford, Freddie Gorman, Diana Ross | Diana Ross | Play | 03:50 | 8 MB | 24 MB |
| 35 mins | 82 MB | |||||
| 35 mins | 213 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Tawatha Agee | Vocals (Background) |
| 2 | Larry Alexander | Engineer |
| 3 | Patti Austin | Guest Artist, Vocals (Background) |
| 4 | Joe Barger | Piano |
| 5 | Errol Crusher Bennett | Percussion |
| 6 | Harry Blue | Composer |
| 7 | Michael Boddicker | Synthesizer |
| 8 | Roderick Bowkett | Composer |
| 9 | Janie Bradford | Composer |
| 10 | Randy Brecker | Horn Arrangements |
| 11 | Tony Calvert | Reissue Producer |
| 12 | Allan Chapman | Composer |
| 13 | Ray Chew | Arranger, Composer, Keyboards |
| 14 | Linda Creed | Composer, Lyricist |
| 15 | Eric Gale | Guitar |
| 16 | Steve Goldstein | Arranger, Composer, Synthesizer |
| 17 | Freddie Gorman | Composer |
| 18 | Dave Greenberg | Assistant Engineer |
| 19 | Randy Handley | Composer |
| 20 | Michael Hanna | Composer |
| 21 | Alex Henderson | Liner Notes, Research |
| 22 | Sephra Herman | Contractor |
| 23 | Lucio Hopper | Bass |
| 24 | Yogi Horton | Drums |
| 25 | Cissy Houston | Guest Artist, Vocals (Background) |
| 26 | Michael Jackson | Composer |
| 27 | Jeff James | Reissue Coordination |
| 28 | Neil Jason | Bass |
| 29 | Ted Jensen | Mastering |
| 30 | Bob Kulick | Guitar, Guitar (Rhythm) |
| 31 | Randy Mahon | Coordination |
| 32 | Rick Marotta | Drums |
| 33 | Michael Masser | Composer |
| 34 | Paulette McWilliams | Vocals (Background) |
| 35 | Denzil Miller | Keyboards |
| 36 | Jeff Mironov | Guitar |
| 37 | Jonathan Moffett | Drums |
| 38 | Rob Mounsey | Arranger, Keyboards |
| 39 | Matt Murphy | Production Manager |
| 40 | Ross Pallone | Engineer |
| 41 | Tom Perry | Engineer |
| 42 | William Frank "Bill" Reichenbach Jr. | String Arrangements |
| 43 | Paul Riser | Rhythm Arrangements, String Arrangements |
| 44 | David Roberts | Composer |
| 45 | Diana Ross | Arranger, Composer, Primary Artist, Producer |
| 46 | Leo Sacks | Reissue Coordination |
| 47 | Paul Shaffer | Fender Rhodes, Rhythm Arrangements |
| 48 | Gregory Smith | Synthesizer |
| 49 | Maria Triana | Mastering |
| 50 | Craig Turnbull | Release Coordinator |
| 51 | Luther Vandross | Guest Artist, Vocal Arrangement, Vocals (Background) |
| 52 | Ed Walsh | Synthesizer |
| 53 | Andy Warhol | Cover Art |
| 54 | Julia Waters | Vocals (Background) |
| 55 | Maxine Waters | Vocals (Background) |
| 56 | Nathan Watts | Bass |
| 57 | Mark Wilder | Transfers |
| 58 | David Williams | Guitar |
| 59 | Roger Williams | Package Design |
| 60 | Bill Wolfer | Synthesizer |
| 61 | Bill Wray | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |