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When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more.
2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge.
Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity.
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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | PersephoneMikael Åkerfeldt | Opeth | Play | 01:52 | 4 MB | 7 MB |
| 2 | SorceressMikael Åkerfeldt | Opeth | Play | 05:49 | 13 MB | 37 MB |
| 3 | The Wilde FlowersMikael Åkerfeldt | Opeth | Play | 06:49 | 15 MB | 38 MB |
| 4 | Will O the WispMikael Åkerfeldt | Opeth | Play | 05:07 | 11 MB | 31 MB |
| 5 | ChrysalisMikael Åkerfeldt | Opeth | Play | 07:16 | 16 MB | 47 MB |
| 6 | Sorceress 2Mikael Åkerfeldt | Opeth | Play | 03:49 | 8 MB | 17 MB |
| 7 | The Seventh SojournMikael Åkerfeldt | Opeth | Play | 05:29 | 12 MB | 29 MB |
| 8 | Strange BrewMikael Åkerfeldt, Fredrik Åkesson | Opeth | Play | 08:44 | 20 MB | 42 MB |
| 9 | A Fleeting GlanceMikael Åkerfeldt | Opeth | Play | 05:06 | 11 MB | 31 MB |
| 10 | EraMikael Åkerfeldt | Opeth | Play | 05:41 | 13 MB | 34 MB |
| 11 | Persephone (Slight Return)Mikael Åkerfeldt | Opeth | Play | 00:54 | 2 MB | 2 MB |
| 56 mins | 130 MB | |||||
| 56 mins | 320 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Mikael Åkerfeldt | Composer, Group Member, Guitar (Acoustic), Guitar (Electric), Producer, Vocals, Vocals (Background) |
| 2 | Fredrik Åkesson | Composer, Group Member, Guitar (Acoustic), Guitar (Electric), Vocals (Background) |
| 3 | Martin Axenrot | Drums, Group Member, Percussion |
| 4 | Tom Dalgety | Engineer, Mixing, Producer |
| 5 | John Davis | Mastering |
| 6 | Nina Johansson | Text |
| 7 | Martín Mendez | Group Member, Guitar (Bass) |
| 8 | Opeth | Primary Artist |
| 9 | Travis Smith | Design |
| 10 | Joakim Svalberg | Fender Rhodes, Group Member, Harpsichord, Mellotron, Organ (Hammond), Percussion, Piano (Grand), Synthesizer, Vocals (Background) |
| 11 | Pascale Marie Vickery | Spoken Word |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |