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The Kinks' State of Confusion had its share of glossy hard rock in the vein of "Low Budget" and "Destroyer," but the record came to life on the quieter numbers, whether it's the elegiac "Don't Forget to Dance," the wistful pop of "Long Distance," or the buoyant nostalgia of "Come Dancing," which became the group's biggest hit since "Tired of Waiting for You.".
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | State of ConfusionRay Davies | The Kinks | Play | 03:42 | 8 MB | 0 MB |
| 2 | Definite MaybeRay Davies | The Kinks | Play | 04:22 | 10 MB | 0 MB |
| 3 | Labour of LoveRay Davies | The Kinks | Play | 03:55 | 9 MB | 0 MB |
| 4 | Come DancingRay Davies | The Kinks | Play | 03:56 | 9 MB | 0 MB |
| 5 | PropertyRay Davies | The Kinks | Play | 04:20 | 9 MB | 0 MB |
| 6 | Don't Forget to DanceRay Davies | The Kinks | Play | 04:38 | 10 MB | 0 MB |
| 7 | Young ConservativesRay Davies | The Kinks | Play | 04:00 | 9 MB | 0 MB |
| 8 | BernadetteRay Davies | The Kinks | Play | 03:28 | 7 MB | 0 MB |
| 9 | Don't Forget to DanceRay Davies | The Kinks | Play | 04:38 | 10 MB | 0 MB |
| 10 | Cliches of the World (B-Movie) | The Kinks | Play | 04:52 | 11 MB | 0 MB |
| 41 mins | 96 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Mick Avory | Drums, Member of Attributed Artist |
| 2 | Bill Crowley | Reissue Producer |
| 3 | Dave Davies | Guitar, Harmonica, Keyboards, Member of Attributed Artist, Vocals |
| 4 | Ray Davies | Audio Production, Composer, Guitar, Guitar (Rhythm), Member of Attributed Artist, Piano, Producer, Synthesizer, Vocals |
| 5 | Robert Ellis | Photography |
| 6 | Dawn Frank | Engineer |
| 7 | Howard Fritzson | Design |
| 8 | Ian Gibbons | Keyboards, Member of Attributed Artist |
| 9 | Graham Hogg | Archival Tape Engineer |
| 10 | The Kinks | Primary Artist |
| 11 | Damian Komer | Audio Engineer, Engineer |
| 12 | Mycle Konopka | Engineer |
| 13 | Damian Korner | Engineer |
| 14 | Bob Ludwig | Mastering, Remastering |
| 15 | Albert Pinheiro | Archival Tape Engineer |
| 16 | Matt Resnicoff | Liner Notes |
| 17 | Jim Rodford | Bass, Guitar, Guitar (Bass), Member of Attributed Artist, Vocals |
| 18 | John Rollo | Audio Engineer, Engineer, Mixing |
| 19 | Alan Silverman | Mastering |
| 20 | Ryan Tully | Archival Tape Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |