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The set that made Cray a pop star, despite its enduring blues base.
Cray's smoldering stance on "Smoking Gun" and "Right Next Door" rendered him the first sex symbol to emerge from the blues field in decades, but it was his innovative expansion of the genre itself that makes this album a genuine 1980s classic.
"Nothing but a Woman" boasts an irresistible groove pushed by the Memphis Horns and some metaphorically inspired lyrics, while "I Wonder" and "Guess I Showed Her" sizzle with sensuality.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Smoking GunD. Amy, Richard Cousins, Robert Cray | Robert Cray Band, Robert Cray | Play | 04:09 | 9 MB | 26 MB |
| 2 | Still Around | Robert Cray Band, Robert Cray | Play | 03:42 | 8 MB | 20 MB |
| 3 | More Than I Can Stand | Robert Cray Band, Robert Cray | Play | 02:59 | 6 MB | 18 MB |
| 4 | Foul Play | Robert Cray Band, Robert Cray | Play | 04:08 | 9 MB | 24 MB |
| 5 | I WonderRobert Cray | Robert Cray Band, Robert Cray | Play | 03:57 | 9 MB | 20 MB |
| 6 | Fantasized | Robert Cray Band, Robert Cray | Play | 04:05 | 9 MB | 22 MB |
| 7 | New Blood | Robert Cray Band, Robert Cray | Play | 04:39 | 10 MB | 22 MB |
| 8 | Guess I Showed Her | Robert Cray | Play | 03:40 | 8 MB | 22 MB |
| 9 | Right Next Door | Robert Cray | Play | 04:20 | 9 MB | 25 MB |
| 10 | Nothing But A Woman | Robert Cray | Play | 03:59 | 9 MB | 22 MB |
| 39 mins | 90 MB | |||||
| 39 mins | 227 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | D. Amy | Composer |
| 2 | Fidel Bell | Mixing Assistant |
| 3 | Peter Boe | Composer, Keyboards |
| 4 | Charlie Brocco | Mixing Assistant |
| 5 | Bruce Bromberg | Composer, Producer |
| 6 | Richard Cousins | Bass, Composer |
| 7 | Robert Cray | Composer, Guitar, Performer, Primary Artist, Vocals |
| 8 | Robert Cray Band | Primary Artist |
| 9 | Bill Dashiell | Engineer, Mixing |
| 10 | Henry Diltz | Photography |
| 11 | Toni Greene | Mixing Assistant |
| 12 | Jeff Hendrickson | Mixing |
| 13 | Wayne Jackson | Horn, Trombone, Trumpet |
| 14 | Kosh | Cover Design |
| 15 | Bill Levy | Art Direction |
| 16 | Andrew Love | Sax (Tenor), Saxophone |
| 17 | The Memphis Horns | Guest Artist, Horn Arrangements |
| 18 | Dave Olson | Composer, Drums |
| 19 | Aaron Rapoport | Photography |
| 20 | Larry Sloven | Executive Producer |
| 21 | Lee Spath | Percussion |
| 22 | Dennis Walker | Composer, Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |