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Robert Cray always flirted with gritty Southern soul, but it wasn't until Sweet Potato Pie that he made a full-fledged soul-blues record in Memphis.
Cray hasn't abandoned blues, but he's woven punchy horns and sexy rhythms into the mix, resulting in one of his stronger records of the '90s.
The material remains a bit uneven, but his taste is impeccable -- few blues guitarists are as succinct and memorable as he, and the soul settings of Sweet Potato Pie only confirm that fact.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Nothing Against YouRobert Cray | Robert Cray Band, Robert Cray | Play | 05:48 | 13 MB | 37 MB |
| 2 | Do That For MeRobert Cray | Robert Cray Band, Robert Cray | Play | 04:27 | 10 MB | 28 MB |
| 3 | Back HomeRobert Cray | Robert Cray Band, Robert Cray | Play | 06:02 | 13 MB | 37 MB |
| 4 | The One In the MiddleJames Pugh, Jim Pugh | Robert Cray Band, Robert Cray | Play | 05:19 | 12 MB | 34 MB |
| 5 | Little BirdsRobert Cray | Robert Cray Band, Robert Cray | Play | 03:52 | 8 MB | 24 MB |
| 6 | Trick or TreatIsaac Hayes, Otis Redding | Robert Cray Band, Robert Cray | Play | 03:11 | 7 MB | 22 MB |
| 7 | Simple ThingsRobert Cray | Robert Cray Band, Robert Cray | Play | 04:47 | 10 MB | 28 MB |
| 8 | Jealous MindsKevin Hayes, James Pugh, Jimmy Pugh | Robert Cray Band, Robert Cray | Play | 04:44 | 10 MB | 30 MB |
| 9 | Not Bad For LoveRobert Cray | Robert Cray Band, Robert Cray | Play | 07:15 | 16 MB | 42 MB |
| 10 | I Can't QuitRobert Cray | Robert Cray Band, Robert Cray | Play | 05:04 | 11 MB | 34 MB |
| 50 mins | 115 MB | |||||
| 50 mins | 318 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Robert Cray | Composer, Guitar, Primary Artist, Producer, Vocals |
| 2 | Robert Cray Band | Performer, Primary Artist |
| 3 | Bernie Grundman | Mastering |
| 4 | John Hampton | Engineer |
| 5 | Isaac Hayes | Composer |
| 6 | Kevin Hayes | Composer, Drums |
| 7 | Wayne Jackson | Trumpet |
| 8 | Tom Legoff | Photography |
| 9 | Andrew Love | Sax (Tenor) |
| 10 | Matt Martone | Assistant Engineer |
| 11 | Pete Matthews | Assistant Engineer |
| 12 | Christopher McCants | Photography |
| 13 | The Memphis Horns | Guest Artist |
| 14 | Skidd Mills | Engineer, Mixing |
| 15 | James Minchin | Photography |
| 16 | James Pugh | Composer |
| 17 | Jim Pugh | Composer, Keyboards |
| 18 | Jimmy Pugh | Composer |
| 19 | Otis Redding | Composer |
| 20 | Karl Sevareid | Bass |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |