This time working solely with Steve Lillywhite, the Furs introduce a brighter, poppier side to their underground rock edge, with smashing results throughout.

The group produces some powerful songs, even more rough-edged than before.

Especially striking is "Dumb Waiters," with its queasy, slow-paced arrangement that allows both Kilburn's sax and Ashton's guitar to go wild.

However, the six still create some undeniable pop classics.

Most well-known is the lead track, "Pretty in Pink," inspiration for the iconic John Hughes film years later and re-recorded as a result.

The original is still where to go, though, with Butler's catchy description of a romantically unsure woman matched by a killer band performance.

Similarly lighter numbers on the record call to mind a rockier version of Roxy Music's output in later years: elegant, romantic angst given a slightly rougher edge in both music and vocals.

"She Is Mine" is especially fine as a gently swinging number with some of Butler's best, quietly ruminative lyrics.

Straight-up anthems abound as well, the best being the amazing "Into You Like a Train," which mixes the blunt desire of the title with a sparkling Ashton guitar line and a fast rhythm punch.

Talk Talk Talk ends on another high with "All of This and Nothing." A soft, acoustic guitar-sax-rhythm combination introduces the song, then fades away for the main section to begin; Butler details bits and pieces from a lost relationship over a sharp full-band performance, and a final drum smash leads into a reprise of the start -- a fine way to end a fine record.