John's debut for GRP doesn't deviate from any release he's made for several other labels.
It's still his chunky, humorous take on New Orleans funk; these are his songs, visions and performances, and there's none of the elevator material or laidback, detached fare that's a customary GRP byproduct.
Such songs as "Witchy Red," "Spaceship Relationship" and the title selection are a delicate mix of seemingly outrageous but actually quite sharp commentary and excellent musical performances from Dr.
John on keyboards, Hugh McCracken on guitar, and several other veterans, among them the great Red Tyler on tenor sax.
While not quite as fiery as his classic sessions for Atlantic, if anyone can bring the funk to a company that's famous for avoiding it, it's Dr.
John.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | U Lie 2 MuchDr. John, Mac Rebennack | Dr. John | Play | 04:32 | 10 MB | 27 MB |
| 2 | Same Day ServiceDr. John, Mac Rebennack | Dr. John | Play | 05:01 | 11 MB | 28 MB |
| 3 | Thank You (Falletin Me Be Mice Elf Again) | Dr. John | Play | 04:06 | 9 MB | 27 MB |
| 13 mins | 31 MB | |||||
| 13 mins | 83 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Alba Acevedo | Design |
| 2 | Carrie Akre | Composer |
| 3 | Andy Baltimore | Creative Director |
| 4 | David Barard | Bass, Vocals (Background) |
| 5 | Katreese Barnes | Vocals (Background) |
| 6 | Peter Beckerman | Mixing |
| 7 | Errol Crusher Bennett | Congas, Percussion |
| 8 | Janie Bradford | Composer |
| 9 | Randy Brecker | Guest Artist, Trumpet |
| 10 | Greg Calbi | Mastering |
| 11 | Rachele Cappelli | Vocals (Background) |
| 12 | Ronnie Cuber | Arranger, Guest Artist, Sax (Baritone), Sax (Tenor) |
| 13 | Joseph Doughney | Post Production |
| 14 | Dr. John | Arranger, Composer, Guitar, Keyboards, Organ, Piano, Primary Artist, Producer, Tambourine, Vocals |
| 15 | Sonny Emory | Drums |
| 16 | Anthony Fiedis | Composer |
| 17 | Sharon Franklin | Production Coordination |
| 18 | James Genus | Bass |
| 19 | Laurie Goldman | Design |
| 20 | Berry Gordy, Jr. | Composer |
| 21 | Diva Gray | Vocals (Background) |
| 22 | Carl Griffin | Associate Executive Producer |
| 23 | Lani Groves | Vocals (Background) |
| 24 | Dave Grusin | Executive Producer |
| 25 | Alec Head | Engineer, Mixing |
| 26 | Kat James | Hair Stylist, Make-Up |
| 27 | Birch Johnson | Trombone |
| 28 | Anthony Kiedis | Guest Artist, Vocals |
| 29 | Chris Kienzlen | Editing, Sequencing |
| 30 | Curtis King | Vocals (Background) |
| 31 | Hollis King | Art Direction |
| 32 | Michael Landy | Post Production |
| 33 | Gerald Lee | Assistant Engineer |
| 34 | Hugh McCracken | Arranger, Dobro, Drums, Guitar, Harmonica, Mandolin, Producer, Tambourine |
| 35 | Roy McDonald | Editing |
| 36 | Sonny Mediana | Production Director |
| 37 | Charles Miller | Trumpet |
| 38 | Charlie Miller | Arranger, Trumpet, Whistle (Instrument) |
| 39 | David "Fathead" Newman | Flute, Guest Artist, Sax (Alto), Sax (Tenor) |
| 40 | Freddie Paloma | Design |
| 41 | Neil Perry | Assistant Engineer |
| 42 | Michael Pollard | Production Coordination |
| 43 | Doc Pomus | Composer |
| 44 | Alina Rebennack | Stylist |
| 45 | Mac Rebennack | Composer |
| 46 | Robin Reid | Project Coordinator |
| 47 | Larry Rosen | Executive Producer |
| 48 | Dan Serrano | Art Direction |
| 49 | Fred Staehle | Drums, Percussion |
| 50 | Sylvester "Sly Stone" Stewart | Composer |
| 51 | Vaneese Thomas | Vocals, Vocals (Background) |
| 52 | Alvin "Red" Tyler | Guest Artist, Sax (Tenor) |
| 53 | Georg "Jojje" Wadenius | Guitar |
| 54 | John Wall | Assistant Engineer |
| 55 | Carol Weinberg | Photography |
| 56 | Scott Whitney | Sound Effects |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |