The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe - Harry Gregson-Williams
$ 6.99 – $ 9.99
Composer Harry Gregson-Williams (Kingdom of Heaven, Man on Fire, Spy Game) takes on the magical world of C.S.
Lewis' Narnia, infusing director Andrew Adamson's big screen adaptation with predictable wonder and reliable bravado.
Williams, who also worked on Adamson's two Shrek films, keeps things moving with the help of longtime collaborators Lisbeth Scott (vocals) and Hugh Marsh (electric violin), both of whom provide The Lion, the Witch and the Wardrobe with some of its key emotional moments.
Williams' dramatic choral arrangements do their best to emphasize childhood awe, and the Celtic-tinged character motifs evolve naturally, but the overall effect is that of any fantasy film.
Lord of the Rings comparisons aside, Williams' Narnia holds little in the way of power, and with source material that carries as strong an undercurrent of seriousness beneath its storybook exterior as Tolkein's, the whole affair comes off as a noble yet empty gesture.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Blitz, 1940Harry Gregson-Williams | Harry Gregson-Williams | Play | 02:32 | 5 MB | 14 MB |
| 2 | Evacuating LondonHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:38 | 8 MB | 18 MB |
| 3 | The WardrobeHarry Gregson-Williams | Harry Gregson-Williams | Play | 02:54 | 6 MB | 11 MB |
| 4 | Lucy Meets Mr. TumnusHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:10 | 9 MB | 15 MB |
| 5 | A Narnia LullabyHarry Gregson-Williams | Harry Gregson-Williams | Play | 01:12 | 2 MB | 5 MB |
| 6 | The White WitchHarry Gregson-Williams | Harry Gregson-Williams | Play | 05:30 | 12 MB | 23 MB |
| 7 | From Western Woods to BeaversdamHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:34 | 8 MB | 15 MB |
| 8 | Father ChristmasHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:20 | 7 MB | 13 MB |
| 9 | To Aslan's CampHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:12 | 7 MB | 15 MB |
| 10 | Knighting PeterHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:48 | 8 MB | 15 MB |
| 11 | The Stone TableHarry Gregson-Williams | Harry Gregson-Williams | Play | 08:06 | 18 MB | 37 MB |
| 12 | The BattleHarry Gregson-Williams | Harry Gregson-Williams | Play | 07:08 | 16 MB | 38 MB |
| 13 | Only the Beginning of the AdventureHarry Gregson-Williams | Harry Gregson-Williams | Play | 05:32 | 12 MB | 25 MB |
| 14 | WunderkindAlanis Morissette | Alanis Morissette | Play | 05:19 | 12 MB | 32 MB |
| 15 | Can't Take It In | Imogen Heap | Play | 04:42 | 10 MB | 29 MB |
| 16 | Winter Light | Tim Finn | Play | 04:13 | 9 MB | 19 MB |
| 17 | Where | Lisbeth Scott | Play | 01:54 | 4 MB | 9 MB |
| 70 mins | 162 MB | |||||
| 70 mins | 342 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Andrew Adamson | Executive Producer, Liner Notes |
| 2 | Bach Choir | Choir/Chorus |
| 3 | Stephen Barton | Programming |
| 4 | Chris Bleth | Musician, Performer |
| 5 | Toby Chu | Programming |
| 6 | Peter Cobbin | Recording |
| 7 | Desirée Craig-Ramos | Sound Director |
| 8 | Sandy De Crescent | Orchestra Contractor |
| 9 | Mike Elizondo | Producer |
| 10 | Lindsay Fellows | Music Supervisor |
| 11 | Tim Finn | Composer, Primary Artist, Producer, Vocals |
| 12 | Patricia Sullivan Fourstar | Mastering |
| 13 | Bruce Fowler | Supervising Orchestrator |
| 14 | Meri Gavin | Engineer |
| 15 | Steve Gerdes | Creative Director |
| 16 | Rick Giovinazzo | Orchestration |
| 17 | Scott Gordon | Engineer |
| 18 | Harry Gregson-Williams | Audio Production, Composer, Conductor, Primary Artist, Producer |
| 19 | Isobel Griffiths | Choir Contractor |
| 20 | Jennifer Hammond | Orchestral Arrangements |
| 21 | Adam Hawkins | Engineer |
| 22 | Imogen Heap | Composer, Keyboards, Performer, Primary Artist, Producer, Programming, Vocals |
| 23 | Bobby Huff | Producer |
| 24 | Joel Iwataki | Mixing, Recording |
| 25 | King's Consort Choir | Choir/Chorus |
| 26 | Costa Kotselas | Engineer |
| 27 | Glen Lajeski | Marketing |
| 28 | Bryan Lawson | Music Editor |
| 29 | Bryan Elliott Lawson | Editing |
| 30 | Mitchell Leib | Executive in Charge of Music |
| 31 | Steve Letsch | Design |
| 32 | Los Angeles Recording Arts Orchestra | Orchestra |
| 33 | Manny Marroquin | Mixing |
| 34 | Hugh Marsh | Musician, Performer |
| 35 | Ladd McIntosh | Orchestration |
| 36 | James McKee-Smith | Programming |
| 37 | Alanis Morissette | Composer, Primary Artist, Producer, Vocals |
| 38 | Shawn Murphy | Recording |
| 39 | Gregg Ostrin | Liner Notes |
| 40 | Peter Rotter | Orchestra Contractor |
| 41 | Lisbeth Scott | Composer, Primary Artist, Vocals |
| 42 | Adam Smalley | Music Editor |
| 43 | Adam Milo Smalley | Editing |
| 44 | Sylvia Young Theater School Choir | Choir/Chorus |
| 45 | Timo Väänänen | Musician, Performer |
| 46 | Booker White | Music Preparation |
| 47 | Ron Wong | Art Direction, Design |
| 48 | Monica Zierhut | Music Production Supervisor, Production Supervisor |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |