Sale!
For Hurt's sixth effort, the Los Angeles-based Virginians circle back to their beginnings on an album that attempts to hark back to the heavyweight grunge established on Vol.
I and Vol.
II.
Where 2009's Goodbye to the Machine was tailored to active rock radio play with a balance of arena rock lighter ballads à la Train and big, soaring Foo Fighters hooks, The Crux brings back powerful distortion riffs and midtempo sludge.
As always, J.
Loren's booming vocals show enormous range, and the lyrics are intensely introspective.
Of course, what else would you expect with a name like Hurt?.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | So WhenHurt | Hurt | Play | 03:57 | 9 MB | 0 MB |
| 2 | EdenHurt | Hurt | Play | 04:21 | 9 MB | 0 MB |
| 3 | Links & WavesHurt | Hurt | Play | 01:15 | 2 MB | 0 MB |
| 4 | Sally SlipsHurt | Hurt | Play | 04:45 | 10 MB | 0 MB |
| 5 | When It's ColdHurt | Hurt | Play | 04:07 | 9 MB | 0 MB |
| 6 | AdonaiHurt | Hurt | Play | 06:38 | 15 MB | 0 MB |
| 7 | Caught in the RainHurt | Hurt | Play | 04:34 | 10 MB | 0 MB |
| 8 | CuffedHurt | Hurt | Play | 04:00 | 9 MB | 0 MB |
| 9 | How We End Up AloneHurt | Hurt | Play | 04:07 | 9 MB | 0 MB |
| 10 | NumbersHurt | Hurt | Play | 03:09 | 7 MB | 0 MB |
| 11 | The SeerHurt | Hurt | Play | 03:43 | 8 MB | 0 MB |
| 44 mins | 102 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Scott Clayton | Booking |
| 2 | Brian Gardner | Mastering |
| 3 | Hurt | Composer, Primary Artist, Producer |
| 4 | J. Loren | Group Member, String Arrangements, Violin, Vocals |
| 5 | John Kurzweg | Mixing |
| 6 | Tom Lewis | Direction |
| 7 | Rek Mohr | Bass, Group Member |
| 8 | Victor Ribas | Drums, Group Member |
| 9 | Michael Roberts | Engineer, Group Member, Guitar, Producer |
| 10 | Schuman | Vocals |
| 11 | James Ziggy Stull | Drum Engineering |
| 12 | Ted Taylor | Art Direction, Photography |
| 13 | Brian Winshell | Programming |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |