Beck began work on 2006's The Information after Sea Change but before he reunited with the Dust Brothers for 2005's Guero, eventually finishing the album after Guero was generally acclaimed as a return to Odelay form.
So, it shouldn't come as a great surprise that The Information falls somewhere between those two records, at least on sonic terms.
Musically, it's certainly a kindred spirit to Guero, meaning that it hearkens back to the collage of loose-limbed, quirky white-boy funk-rock and rap that brought Beck fame at the peak of the alt-rock revolution, with hints of the psychedelia of Mutations and the folk-rock that was the basis for Sea Change.
Since this is a Nigel Godrich production, it's meticulous and precise even when it wants to give the illusion of spontaneity, which isn't necessarily a bad thing, since it also pulls the album into focus, something that the generally fine Guero could have used.
Guero had many strengths, but its biggest weakness was the general sense that it was unfinished, a suspicion fostered by its endless issues in deluxe editions and remixes.
Beck embraced these changes, most extravagantly on the cover of Wired, where he was hailing the future of the album, which would now no longer be seen as finished: it would be a project that covered a certain amount of time, the artist would package it one way, then listeners would offer their own spin.
That is precisely what Guero turned out to be, so it would have made sense that The Information would run further down that field, particularly because it has a design-your-own-art for its cover and is supplemented by a DVD filled with quick-n-dirty videos for each of its songs.
But Beck isn't so easily pigeonholed: as it turns out, The Information is far more of a proper album than Guero, coming fully equipped with recurring themes and motifs, feeling every bit the concept album Sea Change was.
Credit might go partially to his collaboration with Godrich -- who is nothing if not a taskmaster, helping to sharpen and focus erratic talents like Paul McCartney and Stephen Malkmus (for good in the former, not as good in the latter) -- but this also feels like the work of a refocused Beck, who shook off the cobwebs by reuniting with the Dust Brothers, thereby getting his "return to Odelay form" notices out of the way, and then getting down to the real work here on The Information, as he tackles the hyper-saturated info-world of the new millennium here.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Elevator MusicBeck | Beck | Play | 03:38 | 8 MB | 0 MB |
2 | Think I'm in LoveBeck | Beck | Play | 03:19 | 7 MB | 0 MB |
3 | Cellphone's DeadBeck | Beck | Play | 04:45 | 10 MB | 0 MB |
4 | Strange ApparitionBeck | Beck | Play | 03:48 | 8 MB | 0 MB |
5 | Soldier JaneBeck, Nigel Godrich | Beck | Play | 03:58 | 9 MB | 0 MB |
6 | NauseaBeck | Beck | Play | 02:55 | 6 MB | 0 MB |
7 | New RoundBeck | Beck | Play | 03:25 | 7 MB | 0 MB |
8 | Dark StarBeck | Beck | Play | 03:45 | 8 MB | 0 MB |
9 | We Dance AloneBeck | Beck | Play | 03:56 | 9 MB | 0 MB |
10 | 1000BPMBeck | Beck | Play | 02:29 | 5 MB | 0 MB |
11 | MotorcadeBeck, Nigel Godrich | Beck | Play | 04:15 | 9 MB | 0 MB |
12 | The InformationBeck | Beck | Play | 03:46 | 8 MB | 0 MB |
13 | Movie ThemeBeck, Nigel Godrich | Beck | Play | 03:53 | 8 MB | 0 MB |
14 | The Horrible Fanfare/Landslide/ExoskeletonBeck, Nigel Godrich | Beck | Play | 10:34 | 24 MB | 0 MB |
58 mins | 134 MB | |||||
0 mins | 0 MB |
Artist | Job | |
---|---|---|
1 | Alex Acuña | Main Personnel |
2 | Alex Acuña & the Unknowns | Percussion, Vocals (Background) |
3 | Beck | Composer, Primary Artist |
4 | Charlie Bisharat | Strings |
5 | Steve Black | Main Personnel |
6 | Stevie Blacke | Cello, Esraj, Percussion, Slide Guitar, Violin, Vocals (Background) |
7 | Greg Burne | Artist Coordination |
8 | David Campbell | Conductor, Main Personnel, String Arrangements |
9 | Roberto Cani | Strings |
10 | Juliette Cezzar | Performer |
11 | Larry Corbett | Strings |
12 | Sean Davis | Bass, Main Personnel |
13 | Joel Derouin | Strings |
14 | DJ Z-Trip | Main Personnel |
15 | Estelle & Simon | Performer |
16 | Jason Falkner | African Drums, Bass, Drums, Guitar (Acoustic), Guitar (Electric), Main Personnel, Moog Bass, Percussion, Vocals (Background) |
17 | Tiffani Fest | Vocals (Background) |
18 | David Foldvari | Performer |
19 | James Gadson | Drums, Main Personnel, Percussion, Vocals (Background) |
20 | Armen Garabedian | Strings |
21 | Geneviéve Gauckler | Performer |
22 | Michael Gillette | Performer |
23 | Nigel Godrich | Audio Production, Composer, Drums, Effects, Engineer, Kalimba, Keyboards, Main Personnel, Mixing, Percussion, Producer, Programming, Scratching, Tambourine, Vocals (Background), Whistle (Human) |
24 | Jasper Goodall | Performer |
25 | Cosimo Hansen | Talking |
26 | Mercedes Helnwein | Performer |
27 | Gerardo Hilera | Strings |
28 | Smokey Hormel | Main Personnel |
29 | Rouble Kapoor | Assistant Engineer |
30 | Zach Kasik | Assistant Engineer |
31 | Suzie Katayama | Strings |
32 | Greg Kurstin | Berimbau, Guitar (Acoustic), Keyboard Bass, Keyboards, Main Personnel, Piano, Synthesizer, Vocals (Background) |
33 | Brian LeBarton | Main Personnel |
34 | Harland "Stoney" Lee | Performer |
35 | Natalie Leggett | Strings |
36 | Bob Ludwig | Mastering |
37 | Mat Maitland | Art Direction, Design, Performer |
38 | Roger Manning | Main Personnel |
39 | Harvey Mason, Sr. | Drums, Main Personnel |
40 | Sage Mears | Vocals (Background) |
41 | Justin Meldal-Johnsen | Main Personnel, Sound Consultant |
42 | Richard Newton | Artist Coordination |
43 | Parra | Performer |
44 | Melanie Pullen | Performer |
45 | Kimi Reichenberg | Vocals (Background) |
46 | Gay Ribisi | Performer |
47 | Gerard Saint | Art Direction |
48 | Aleksey Shirokov | Performer |
49 | Elisha Skorman | Vocals (Background) |
50 | Tereza Stanislav | Strings |
51 | Justin Stanley | Flute, Guitar (Acoustic), Guitar (Electric), Main Personnel, Percussion, Vocals (Background) |
52 | Chris Steffen | Assistant Engineer |
53 | Rudy Stein | Strings |
54 | Will Sweeney | Performer |
55 | Kam Tang | Performer |
56 | Darrell Thorp | Engineer |
57 | Adam Tullie | Performer |
58 | Josefina Vergara | Strings |
59 | Seth Waldmann | Assistant Engineer |
60 | Joey Waronker | Drums, Main Personnel, Percussion, Vocals (Background) |
61 | Kensei Yabuno | Performer |
62 | Vania Zouravliov | Performer |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |