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By the release of this album, Shadowfax had expanded into a sextet with a strong reliance on drum programming and synthesizers.
The sound was far more powerful and dramatic, and worth hearing for that, although early listeners had some adjusting to do.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Oasis | Shadowfax | Play | 05:07 | 11 MB | 36 MB |
| 2 | One Winter Morning | Shadowfax | Play | 04:10 | 9 MB | 28 MB |
| 3 | 1001 Nights | Shadowfax | Play | 04:25 | 10 MB | 30 MB |
| 4 | A Pause in the RainChuck Greenberg | Shadowfax | Play | 03:53 | 8 MB | 24 MB |
| 5 | Her Dress Hangs There | Shadowfax | Play | 05:12 | 11 MB | 34 MB |
| 6 | Changing of the Guard | Shadowfax | Play | 03:32 | 8 MB | 23 MB |
| 7 | BoomerangDavid Lewis | Shadowfax | Play | 04:15 | 9 MB | 29 MB |
| 8 | The Odd Get Even | Shadowfax | Play | 03:32 | 8 MB | 25 MB |
| 9 | Sujata | Shadowfax | Play | 05:23 | 12 MB | 33 MB |
| 10 | One Heart | Shadowfax | Play | 04:13 | 9 MB | 22 MB |
| 43 mins | 100 MB | |||||
| 43 mins | 288 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | John Bergamo | Percussion, Tabla |
| 2 | Brant Biles | Engineer, Mixing, Mixing Assistant |
| 3 | Charlie Bisharat | MIDI Violin, Synthesizer, Viola, Violin, Violin (Electric) |
| 4 | John Bisharat | Cello |
| 5 | Eric Fishman | Assistant Engineer |
| 6 | Chuck Greenberg | Composer, Flute, Flute (Alto), Flute (Wood), Lyricon, Sax (Soprano) |
| 7 | David Lewis | Composer |
| 8 | David Lewis | Computers, DX-7, Kawai, Piano (Grand), Programming, Roland D50, Sampling, Sequencing, Synclavier, Synthesizer |
| 9 | Phil Maggini | Bass (Electric), Fretless Bass, String Bass |
| 10 | Robert Margouleff | Engineer, Mixing, Producer |
| 11 | Bob Marguleff | Producer |
| 12 | Norman Moore | Art Direction, Design |
| 13 | Stuart Nevitt | Angklung, Caxixi, Chimes, Cymbals, Drum Programming, Drums, Metal Shaker, Multi Instruments, Pedals, Programming, Rattles, Shaker, Tabla |
| 14 | Marlene Rosenberg | Photography |
| 15 | Shadowfax | Primary Artist, Producer |
| 16 | G.E. Stinson | Angklung, Guitar, Maracas Mbira, Tambourine, Vocals, Voices |
| 17 | Todd Yvega | Programming, Synclavier, Synthesizer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |