Sale!
The One That You Love was Air Supply's second international release and perhaps their finest all-around studio outing, spawning three top ten hits, including a number one with the heart-wrenching title track.
The sheer drama of "Here I Am" and the swooping orchestration of "Sweet Dreams" complete this smash-hit trilogy, and as suggested by their name, a sense of air and space pervades other pop-tastic ballads such as "This Heart Belongs to Me" and "Keeping the Love Alive." This is definitely the ideal second step for those looking beyond the greatest-hits package.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Don't Turn Me AwayGraham Russell | Air Supply | Play | 03:43 | 8 MB | 27 MB |
| 2 | Keeping the Love AliveRichard Supa | Air Supply | Play | 03:38 | 8 MB | 22 MB |
| 3 | The One That You LoveGraham Russell | Air Supply | Play | 04:19 | 9 MB | 27 MB |
| 4 | This Heart Belongs to MeGraham Russell | Air Supply | Play | 04:13 | 9 MB | 29 MB |
| 5 | Sweet DreamsGraham Russell | Air Supply | Play | 05:22 | 12 MB | 34 MB |
| 6 | I Want to Give It AllRex Goh, Graham Russell | Air Supply | Play | 03:42 | 8 MB | 19 MB |
| 7 | I'll Never Get Enough of YouJeannie Napoli, Gary Portnoy, Judy Quay | Air Supply | Play | 03:50 | 8 MB | 23 MB |
| 8 | ToniteGraham Russell | Air Supply | Play | 03:47 | 8 MB | 23 MB |
| 9 | I've Got Your LoveGraham Russell | Air Supply | Play | 03:41 | 8 MB | 23 MB |
| 10 | Here I Am | Air Supply | Play | 03:50 | 8 MB | 23 MB |
| 40 mins | 92 MB | |||||
| 40 mins | 255 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Air Supply | Arranger, Primary Artist |
| 2 | Alpha | Photography |
| 3 | Ray Barber | Logo |
| 4 | Arlessa Barnes | Project Coordinator |
| 5 | Johnny Cash | Performer |
| 6 | Ralph Cooper | Drums |
| 7 | Dick Dahl | Liner Notes, Producer |
| 8 | Clive Davis | Executive Producer |
| 9 | Laura Dorson | Project Coordinator |
| 10 | Bob Dylan | Performer |
| 11 | Jack Elliott | Performer |
| 12 | Ramblin' Jack Elliott | Performer |
| 13 | Frank Esler-Smith | Conductor, Keyboards, Orchestral Arrangements |
| 14 | Elliott Federman | Mastering |
| 15 | Howard Fritzson | Cover Art Direction |
| 16 | Rex Goh | Composer, Guitar, Guitar (Rhythm) |
| 17 | Dave Green | Bass |
| 18 | Laura Gregory | Project Coordinator |
| 19 | Mike Hartry | Digital Transfer Assistant |
| 20 | Russell Hitchcock | Vocals |
| 21 | Jeremy Holiday | Production Coordination |
| 22 | John Hudson | Product Manager |
| 23 | Stephanie Kika | Project Coordinator |
| 24 | David Alan Kogut | Reissue Art Director |
| 25 | Leon Lecash | Photography |
| 26 | Ria Lewerke | Cover Art Direction, Stylist |
| 27 | Robin Manning | Project Coordinator |
| 28 | Harry Maslin | Engineer, Mixing, Producer |
| 29 | Guy Maxwell | Photography |
| 30 | Jeannie Napoli | Composer |
| 31 | Brooke Nochomson | Project Coordinator |
| 32 | Odetta | Performer |
| 33 | Larry Parra | Project Coordinator |
| 34 | Gary Portnoy | Composer |
| 35 | Judy Quay | Composer |
| 36 | Dana Renert | Project Coordinator |
| 37 | Graham Russell | Composer, Guitar (Acoustic), Vocals |
| 38 | Norman Sallitt | Composer |
| 39 | Ed Sanders | Assistant Engineer |
| 40 | Rob Santos | Reissue Producer |
| 41 | Ken Sharp | Liner Notes |
| 42 | Bill Stafford | Project Coordinator |
| 43 | Steve Strauss | Project Coordinator |
| 44 | Richard Supa | Composer |
| 45 | Tom Tierney | Project Coordinator |
| 46 | John VanNest | Assistant Engineer, Mixing |
| 47 | Amy L. VonHolzhausen | Design |
| 48 | Traci Werbel | Project Coordinator |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |