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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Spider and the MothJesse Hall, Leigh Nash | Leigh Nash | Play | 03:49 | 8 MB | 24 MB |
| 2 | Cruel HeartJesse Hall, Leigh Nash | Leigh Nash | Play | 03:16 | 7 MB | 21 MB |
| 3 | ChicagoJesse Hall, Leigh Nash, Emily West, Stephen Wilson | Leigh Nash | Play | 03:37 | 8 MB | 22 MB |
| 4 | MountainJesse Hall, Leigh Nash | Leigh Nash | Play | 02:37 | 6 MB | 16 MB |
| 5 | What's Behind MeJesse Hall, Leigh Nash, Stephen Wilson | Leigh Nash | Play | 03:05 | 7 MB | 19 MB |
| 6 | Somebody's YesterdayGerry House, Leigh Nash | Leigh Nash | Play | 02:59 | 6 MB | 20 MB |
| 7 | The Promise BreakGerry House, Leigh Nash | Leigh Nash | Play | 02:54 | 6 MB | 18 MB |
| 8 | Dreaming Out LoudJesse Hall, Leigh Nash | Leigh Nash | Play | 03:37 | 8 MB | 19 MB |
| 9 | The State I'm InLeigh Nash, Stephen Wilson | Leigh Nash | Play | 03:18 | 7 MB | 22 MB |
| 10 | High Is BetterLeigh Nash, Stephen Wilson | Leigh Nash | Play | 03:24 | 7 MB | 22 MB |
| 11 | Tell Me Now TennesseeLeigh Nash, Stephen Wilson | Leigh Nash | Play | 03:13 | 7 MB | 20 MB |
| 12 | Doing It WrongBrendan Benson, Leigh Nash | Leigh Nash | Play | 02:49 | 6 MB | 18 MB |
| 38 mins | 88 MB | |||||
| 38 mins | 246 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Rayland Baxter | Vocals (Background) |
| 2 | Brendan Benson | Composer, Engineer, Horn Arrangements, Producer, String Arrangements |
| 3 | Jim DeMain | Mastering |
| 4 | Stanton Edward | Guitar, Guitar (12 String), Guitar (Acoustic), Guitar (Baritone), Guitar (Electric), Guitar (Nylon String) |
| 5 | Elizabeth Estes | Violin |
| 6 | John Estes | Bass (Electric), Bass (Upright), Cello, Charango, Organ, Pedal Steel, String Arrangements |
| 7 | Jeremy Fetzer | Guitar (Acoustic), Guitar (Electric) |
| 8 | Pete Finney | Pedal Steel |
| 9 | Alysse Gafkjen | Photography |
| 10 | Jesse Hall | Composer |
| 11 | Leisa Hans | Vocals (Background) |
| 12 | Gerry House | Composer |
| 13 | Micah Hulscher | Accordion, Farfisa Organ, Piano, Wurlitzer |
| 14 | Amy Marie | Assistant |
| 15 | Leigh Nash | Composer, Primary Artist, Vocals, Vocals (Background) |
| 16 | Mark Nevers | Mixing |
| 17 | John Mark Painter | Flugelhorn, Horn Arrangements, Sax (Baritone), Sax (Tenor), Trombone, Trumpet |
| 18 | Sarah H. Parker-Masse | Art Direction, Design |
| 19 | Jon Radford | Drums, Percussion |
| 20 | Christian Rigdon | Assistant Engineer |
| 21 | Lillie Mae Rische | Fiddle |
| 22 | Street Corner Symphony | Vocals |
| 23 | Kristin Weber | Violin |
| 24 | Emily West | Composer |
| 25 | Ashley Wilcoxson | Vocals (Background) |
| 26 | Stephen Wilson | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |