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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | PantherMarcus Miller | Marcus Miller | Play | 06:02 | 13 MB | 38 MB |
| 2 | StevelandMarcus Miller | Marcus Miller | Play | 07:21 | 16 MB | 43 MB |
| 3 | RampageMarcus Miller | Marcus Miller | Play | 05:48 | 13 MB | 37 MB |
| 4 | The Sun Don't LieMarcus Miller | Marcus Miller | Play | 06:29 | 14 MB | 38 MB |
| 5 | ScoopMarcus Miller | Marcus Miller | Play | 05:58 | 13 MB | 39 MB |
| 6 | Mr. PastoriusMarcus Miller | Marcus Miller | Play | 01:24 | 3 MB | 5 MB |
| 7 | Funny (All She Needs Is Love)Marcus Miller, Boz Scaggs | Marcus Miller | Play | 05:25 | 12 MB | 35 MB |
| 8 | MoonsMarcus Miller | Marcus Miller | Play | 04:52 | 11 MB | 28 MB |
| 9 | Teen TownJaco Pastorius | Marcus Miller | Play | 04:55 | 11 MB | 32 MB |
| 10 | JujuMarcus Miller | Marcus Miller | Play | 06:01 | 13 MB | 40 MB |
| 11 | The King Is Gone (For Miles) | Marcus Miller | Play | 06:05 | 13 MB | 38 MB |
| 60 mins | 138 MB | |||||
| 60 mins | 377 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Don Alias | Congas, Percussion |
| 2 | Kurt Anderson | Assistant Engineer |
| 3 | Ray Bardani | Engineer, Mixing |
| 4 | Poogie Bell | Drums |
| 5 | Dean Brown | Guitar |
| 6 | Hiram Bullock | Guitar |
| 7 | Jonathan Butler | Guitar |
| 8 | Thom Cadley | Assistant Engineer |
| 9 | Will Calhoun | Drums |
| 10 | Scott Canto | Assistant Engineer |
| 11 | Todd Childress | Assistant Engineer |
| 12 | Paulinho Da Costa | Guest Artist, Percussion |
| 13 | Miles Davis | Guest Artist, Trumpet |
| 14 | Peter Doell | Engineer |
| 15 | Ryan Dorn | Assistant Engineer |
| 16 | Steve Ferrone | Drums, Drums (Bass), Hi Hat |
| 17 | Kenny Garrett | Guest Artist, Sax (Alto) |
| 18 | Jim Giddenes | Assistant Engineer |
| 19 | Bibi Green | Production Coordination |
| 20 | Omar Hakim | Cymbals, Drums, Drums (Bass) |
| 21 | Everette Harp | Sax (Alto), Sax (Soprano) |
| 22 | John Heiden | Art Direction, Design |
| 23 | Goh Hotoda | Mixing |
| 24 | Paul Jackson, Jr. | Guitar, Guitar (Rhythm) |
| 25 | Leslie Ann Jones | Engineer |
| 26 | Aaron Kropf | Assistant Engineer |
| 27 | Jimmie Lee | Assistant Engineer |
| 28 | Roger Lian | Assistant Engineer |
| 29 | Bob Ludwig | Mastering |
| 30 | Sal Marquez | Guest Artist, Trumpet |
| 31 | Yan Memmi | Engineer |
| 32 | Jason Miles | Programming |
| 33 | Bruce Miller | Engineer |
| 34 | Marcus Miller | Clarinet (Bass), Composer, Drum Programming, Engineer, Guitar (Bass), Guitar (Rhythm), Keyboards, Primary Artist, Producer, Programming |
| 35 | Andy Narell | Drums (Steel) |
| 36 | Christine Navarez | Assistant Engineer |
| 37 | Jaco Pastorius | Composer |
| 38 | Eric Persing | Programming |
| 39 | Brian Pollack | Assistant Engineer |
| 40 | Vernon Reid | Guest Artist, Guitar |
| 41 | Chris Rich | Assistant Engineer |
| 42 | Rob Rives | Assistant Engineer |
| 43 | Philippe Saisse | Keyboards, Programming |
| 44 | Joe Sample | Piano |
| 45 | David Sanborn | Guest Artist, Sax (Alto) |
| 46 | Boz Scaggs | Composer |
| 47 | Bill Schnee | Mixing |
| 48 | Wayne Shorter | Guest Artist, Sax (Soprano), Sax (Tenor) |
| 49 | Michael "Patches" Stewart | Trumpet |
| 50 | Steve Thornton | Percussion |
| 51 | Steve Thorton | Percussion |
| 52 | Frank Vialy | Assistant Engineer |
| 53 | Kirk Whalum | Sax (Tenor) |
| 54 | Lenny White | Drums, Percussion |
| 55 | Maurice White | Sampling, Vocal Samples |
| 56 | Michael White | Drums |
| 57 | Todd Whitelock | Assistant Engineer |
| 58 | Christian "Wicked" Wicht | Keyboards |
| 59 | Tony Williams | Drums, Guest Artist |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |